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BRIGHT YOUNG PEOPLE

THE LOST GENERATION OF LONDON’S JAZZ AGE

Immensely readable, and of real value as a sharply pointed cautionary tale.

British biographer and novelist Taylor (Kept, 2008, etc.) offers a vivid group portrait of the 1920s pleasure-seekers who ought to have been—and sometimes were—characters in Evelyn Waugh’s novels.

Inveterate idlers and party animals, these vainglorious glitterati twinkled their way through London society, siphoning off their sometimes indulgent families’ fortunes to bankroll lavish parties, elaborate pranks and sexual dalliances, while excitedly congratulating one another for the jaded stabs at originality. Major literary figures Waugh, Anthony Powell, the pseudonymous “Henry Green” and effervescent Nancy Mitford rubbed shoulders with such varied luminaries as celebrity photographer Cecil Beaton, journalist Tom Driberg, epicene underachievers Brian Howard and Stephen Tennant and unstable sybarites like Elizabeth Ponsonby. Taylor’s study revels in snapshot accounts of their scattered activities, but never really abandons its essentially anecdotal structure—over 300-plus pages, repetition thus becomes unavoidable. But the particulars are often irresistible. One yearns to have been a fly on the wall at the “fancy dress ball…featuring a gang of fashionable debutantes dressed as the Eton rowing eight,” or the notorious Bruno Hat exhibition of faked modernist paintings. Taylor expertly connects this shrill game-playing to memorable depictions of it in Waugh’s Vile Bodies, Powell’s Afternoon Men and Henry Green’s Party Going, while never neglecting the actual achievements of their lesser peers (e.g., Beverley Nichols’s forgotten novel Singing Out of Tune). A note of genuine pathos is struck in his description of how the increasingly straitened economic and political circumstances of the ’30s began rendering this gaudy subculture obsolete.

Immensely readable, and of real value as a sharply pointed cautionary tale.

Pub Date: Jan. 13, 2009

ISBN: 978-0-374-11683-5

Page Count: 384

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2008

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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