by DK ‧ RELEASE DATE: Sept. 5, 2017
Larger gatherings of illusions abound, but there are few with so much to engage hands as well as eyes.
A hands-on approach to creating visual head-spinners from agamographs to Ouchi illusions, hand shadows to forced-perspective photos.
Complementing the earlier, similarly laid-out Optical Illusions (2012), 15 spreads offer a mix of printed color or black-and-white grids of diverse sorts to stare at, flaps to lift, and instructions for creating further effects using either common materials or the punch-outs, patterns, and barred acetate sheet tucked into a pouch at the front. Leading questions (“Do you see the bright star turning clockwise?”) guide readers, while the accompanying notes name many of the illusions and sometimes their inventors and also explain how the brain is fooled into perceiving illusory shapes, relationships, or movement. The flaps and loose pieces signal limited shelf life for this in libraries or classrooms, but aside (perhaps) from several examples of anamorphic sidewalk and beach art, all of these illusions are well within the abilities of young makers to construct. The hands that model various devices and illusions and most of the rare, tiny human figures in the photos and digital paintings are light-skinned.
Larger gatherings of illusions abound, but there are few with so much to engage hands as well as eyes. (Informational novelty. 9-13)Pub Date: Sept. 5, 2017
ISBN: 978-1-4654-6324-1
Page Count: 32
Publisher: DK Publishing
Review Posted Online: Aug. 26, 2017
Kirkus Reviews Issue: Dec. 1, 2017
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by Thomas King ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Oct. 3, 2017
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Stacey A. Lundgren ‧ RELEASE DATE: April 1, 2010
Similar to the vignettes found in the Chicken Soup for the Soul series, this book’s sentimental collection can’t help but...
Intended for ages 9-12, this collection of 10 true vignettes elucidate the bucket-filling philosophy of being a helpful and caring person.
There is a simple philosophy behind bucket filling. As Lundgren writes in her introduction, “We each have an invisible bucket. When it is full, we feel good—happy, peaceful, grateful, or loving. When it is empty, we feel bad—sad, lonely, angry, and frightened.” Ultimately, we must decide whether to be selfless “bucketfillers” or selfish “bucketdippers,” and through a series of short and sweet anecdotes, the book pushes the idea that it is far better to fill than to dip. The stories focus on regular folks who choose to be a positive force for others in small ways. There is the mom who picks up a gallon of gas for the new family at church and relates her story to the police officer who stops her for speeding. Hearing her story, the officer lets the woman go with only a warning—filling the woman’s bucket rather than dipping into it by issuing a ticket on Christmas Eve. Another vignette tells of a ballet dancer reminiscing about the high school teacher who not only allowed her to find solace in dance during the darkest days of her parents’ divorce, but was there with an extra hug when needed. While the stories are often overtly sentimental (seemingly cut from the same cloth as a Hallmark card commercial), each effectively demonstrates that it is just as easy to do good in this world as it is to do ill or nothing. All of the tales culminate with a set of discussion questions that allow the reader to bring her own insight into what she has just read; perfect for a classroom setting. This trains the reader to get into the proper mind-set to use the bucket-filling philosophy in her own life. Despite the book’s slight feel (10 stories in just over 100 pages), the reader will be left hard pressed not to fill more buckets in her life.
Similar to the vignettes found in the Chicken Soup for the Soul series, this book’s sentimental collection can’t help but warm your heart.Pub Date: April 1, 2010
ISBN: 978-0984336609
Page Count: 110
Publisher: N/A
Review Posted Online: Aug. 30, 2010
Review Program: Kirkus Indie
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