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BLACK MAN, WHITE HOUSE

AN ORAL HISTORY OF THE OBAMA YEARS

Funny, insightful, and legitimately illuminating.

The Obama years, through a glass cleverly.

In this faux oral history of the Barack Obama administration, comedian and actor Hughley (I Want You to Shut the F#ck Up: How the Audacity of Dopes is Ruining America, 2012)—writing again with Malice (Dear Reader: The Unauthorized Autobiography of Kim Jong Il, 2014, etc.)—consistently amuses and provides a nifty pocket history of the first African-American president’s tenure. Bill and Hillary Clinton, Joe Biden, Mitt Romney, Nancy Pelosi, Dick Cheney, John McCain, Rahm Emanuel, Mitch McConnell, David Axelrod, and a host of other (slightly) fictionalized key political figures recount Obama’s path from charismatic rising star of the Democratic Party to two-term commander in chief in impressive detail. The running commentary effectively parses the significant events of the Obama presidency through a spectrum of solidly reasoned, clearly delineated opposing perspectives. The humor functions on a higher level than the expected potshots reaffirming media stereotypes of the parties involved (though they are also present); the laughs derive more from the intensity of a respondent’s interpretation of an issue, say, than from facile observations of Biden’s buffoonery, the Clintons’ ruthlessness and appetites, etc. The narrative’s most compelling character is first lady Michelle Obama, presented here as unfailingly reasonable, perceptive, and canny about the realities of Washington, D.C.—e.g., “race has been tripping up politicians of every political persuasion since America became a country”; “I don’t know that electing someone like Governor Romney would really be all that much of a change, given American history.” Offhand lines mocking John Edwards’ sleaziness or Cheney’s viciousness raise chuckles, but it is Michelle’s voice that will stick most with readers: wise, rueful, and human, telling the incredible story of an unprecedented moment in American politics and race relations.

Funny, insightful, and legitimately illuminating.

Pub Date: June 7, 2016

ISBN: 978-0-06-239979-3

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: June 19, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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