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THE INDIVISIBLE AND THE VOID

From the Age of Axion series , Vol. 1

A series starter that trips across fantastic terrain with a human touch.

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In this fantasy novel, a powerful magic wielder searches for his wife, who apparently left him for another man, as well as a villainous “voider” with similar powers.

Master Voider Democryos, nicknamed “Dem,” works out of the citadel for King Andrej X. He teaches talented pupils to use peach-pit–shaped voidstones, which allow one to see and manipulate matter in the “indivisible” realm (“Everything in our creation is built out of infinitesimal building blocks, called the indivisible”). One morning, Dem finds a letter from Lady Marine, his wife of five years, stating that their marriage is over. An investigation of her bedchamber reveals that she left in haste, likely with another man. Later, Dem and the king discuss the ongoing war with the Southern Kingdom. Andrej demands more voidstones and “voiders” with the skill to use them despite the scarcity of each. The king insists that a woman from his harem, Chimeline, must sleep with Dem. Instead, Chimeline and Dem go on a quest to find a hidden forest laboratory where Chimeline says that a mysterious voider conducted torturous experiments on her and other women. Also in the lab is an airship that’s designed to fly on principles that are known best to voiders. Dem and Chimeline take it south on a hunt for Marine and the rogue voider, little realizing that the voidstones’ true nature may change society forever. In this series opener, Wozniak (An Obliquity, 2017, etc.) straddles science fiction and fantasy while commendably exploring questions of spirituality. The effulgents, a religious sect who don’t believe in ownership or relationships, provide an energetic counterpoint to the materialism that’s thrown two kingdoms into war. Wozniak’s medieval world, as described, is a beautiful one; from the sky, it “looks like thousands of curved pieces of glass” covering everything “in blues and greens.” The book also wonderfully handles the notion of a preindustrial society discovering the atomic structure of nature. Yet the plot’s human elements—which include romance, drug addiction, and trust across philosophical lines—often shine brightest. Revelations and combat converge in the propulsive finale, and Wozniak’s strong imagination will rope fans in.

A series starter that trips across fantastic terrain with a human touch.

Pub Date: Jan. 19, 2019

ISBN: 978-0-578-44715-5

Page Count: 577

Publisher: Time Tunnel Media

Review Posted Online: May 1, 2019

Kirkus Reviews Issue: June 15, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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