A scattered satire of contemporary Russia.
A wealthy Russian man loses his “tool.”
One day in 21st-century Moscow, Arseny Iratov, a wealthy and archmasculine architect, wakes up to find that his tool, aka his “member,” aka “the primary organ of the male body,” “was nowhere to be found.” Alarming as it would be on its own, this development is complicated by two facts: First, that Vera, Iratov’s beloved, has suddenly begun to yearn for motherhood; and second that, in Gogol’s grand tradition, Iratov’s member (now named Eugene) is at large in the world in the form of a beautiful young man set on seducing Vera. Had Lipskerov moved no wider with his story, the result might have been a cutting satire of the state of wealth and masculinity in post-Soviet Russia. But, alas, Lipskerov has grander plans. Rather than focusing on the Iratov-Vera-Eugene love triangle and/or the often fascinating depictions of Iratov’s Soviet-era dealings in the Russian black market, Lipskerov widens the phenomenon. Iratov’s doctor, too, loses his member, as do millions (then billions) of men the world over. (Though, strangely, only Eugene appears as an autonomous entity, which reduces his existence to a quasi-pointless Gogol reference.) Much of the story is related, meanwhile, by a nameless nonhuman narrator (he’s hundreds of years old and can regenerate wounds in his sleep) who is quite interested in the lives of Iratov’s illegitimate descendants (sired during his raucous Soviet-era youth), on whom the future of humanity may rest. Lipskerov’s novel—his first to be translated into English—suffers for its cosmic ambitions, sacrificing human characters and plots in favor of slapstick humor and a pan-historical narrative scope. Fans of Bulgakov and Gogol will find some chuckles while American readers may grimace at the racial insensitivities demonstrated by some characters and the degradingly sexualized caste of women. But in his descriptions of “firing-squad offense[s]” and communal apartments, Lipskerov does give us some powerful glimpses of a world that, though contemporaneous to our own, was forged from a different metal.
A scattered satire of contemporary Russia.Pub Date: Jan. 12, 2021
ISBN: 978-1-64605-039-0
Page Count: 384
Publisher: Deep Vellum
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
An action-packed, brightly detailed historical novel not much hampered by its thinly characterized central figure.
A free-spirited woman forges a career as a writer and journalist, risking scandal and war zones to follow her heart.
Allende’s latest opens in San Francisco in 1873, introducing Emilia at age 7, the illegitimate daughter of Molly Walsh, who, as a novice nun, was seduced and abandoned by wealthy Chilean Gonzalo Andrés del Valle. Molly goes on to a successful marriage, Emilia grows up with a loving stepfather, and at 17 she begins writing, then publishing, sensational dime novels under the pseudonym Brandon J. Price. By 23, she’s a journalist with a column in The Daily Examiner, though still forced to hide her gender behind her pen name. Rule breaking is in her nature, and while she accepts, for now, lower pay than men, she decides on a trip to New York to take a lover and learns to control her own contraception. Later, finally writing under her own name, she’s commissioned to go to Chile and cover its civil war from a human angle, accompanied by colleague and friend Eric Whelan, whose focus is the military aspect. Chilean revolutionary politics make for less sprightly reading, but Emilia’s individual encounters with members of high and low society lend atmosphere. These include the president, a great aunt, and eventually her father—now alone, regretful, and mortally ill. Although he disapproves of working women, the two share a “desire to see the world and experience everything intensely,” and when he offers to recognize Emilia as his legitimate child, she accepts. Now the story gathers pace, with Emilia—always and predictably the rebel—witnessing the horrors of battle, discovering that she and Eric are in love, and getting arrested. Not quite plausibly, she instigates a further sequence of impulsive moves before the story is permitted to conclude.
An action-packed, brightly detailed historical novel not much hampered by its thinly characterized central figure.Pub Date: May 6, 2025
ISBN: 9780593975091
Page Count: 304
Publisher: Ballantine
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: yesterday
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