A poignant breath of fresh air for those who struggled—or are struggling—with the dramedy of early adulthood.
A Sunday Times columnist draws her coming-of-age story with tender flair.
“We were the worst type of students imaginable. We were reckless and self-absorbed and childish and violently carefree. We were Broken Britain,” writes Alderton, a TV writer and co-host of the podcast The High Low, in this incisive tribute to women’s friendships. The collection gathers essays from a variety of eras of her life: her teen years, when she attended an all-girls school, cemented her fascination with boys, and dreamed about being a grown-up (“I was desperate to be an adult”); her chaotic 20s, which proved some of her fantasies wrong; and the dawning of her 30s, when she found some semblance of wisdom. The narrative is also a splendid mashup of recipes (“hangover mac and cheese”), hyperbolic group e-mails mocking the smugness of the coupled and the resentment of singles; and lively recollections on everything from awkward online encounters to body image and blackout drunkenness. Alderton paints British suburbia in hypercolor while drawing herself as a woman who’s prone to excess. How her view of love matured is steeped in anxious charm, striking a clever balance between painful humor and self-forgiveness. “Dating had become a source of instant gratification, an extension of narcissism, and nothing to do with connection with another person,” she writes. “Time and time again, I had created intensity with a man and confused it with intimacy.” But it’s the author’s relationship with best friend Farly—“there isn’t a pebble on the beach of my history that she has left unturned. She knows where to find everything in me and I know where all her stuff is too”—that inspires the most poetic passages. Whether excavating the turmoil of seeing Farly fall in love and get her heart broken, writing about the significance of her support when Farly’s sister died, or revisiting the many everyday moments that have made up their 20 years together, Alderton’s portrait exemplifies love.
A poignant breath of fresh air for those who struggled—or are struggling—with the dramedy of early adulthood.Pub Date: Feb. 25, 2020
ISBN: 978-0-06-296878-4
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 26, 2019
Kirkus Reviews Issue: Nov. 15, 2019
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
