A compelling psychological study, a thoughtful tracing of the birth of a new art form and an atmospheric portrait of...
Smith’s beautifully written debut uses the life of photography’s inventor as the framework for a touching tale of youthful love regained in maturity.
In the spring of 1847, 58-year-old Louis Daguerre is wealthy and famous, thanks to his discovery of the process by which visual images can be given physical reality: “[H]ere was time stolen, wafered, and pressed onto silvered copper; here were nature’s blueprints, transcripts of light . . . replicated in nuance, shadow, and substance.” Mortally ill from exposure to the toxic chemicals used in that process, he’s convinced by one of his “mercury visions” that the world is about to end. Daguerre asks his friend Charles Baudelaire to help him find a woman willing to pose naked for a daguerreotype; it’s one of the images he wants to immortalize before the apocalypse. He’s also trying to find Isobel Le Fournier, the family maid he fell in love with when he was 12, on the same day he first was mesmerized by the magical qualities of sunlight. Isobel slipped out of his life the year he went to Paris as apprentice to a scene painter, but Louis remained haunted by his lost love as he pursued his goal of capturing the world around him with a realism beyond painting. Skillfully interweaving Daguerre’s memories with the present-day action, the author joins the two narrative strands when Louis learns that his nude model, Chloe, is Isobel’s daughter (a wild coincidence that passes muster in the novel’s dreamlike atmosphere). Violence, which has shadowed Daguerre’s life since his birth during the French Revolution, once again marks him during the disturbances of 1848, when Louis is shot and Chloe takes him to her mother to be healed. In the countryside, the bitter older woman and her chastened but still-ardent suitor finally come to terms with their past and steal a few weeks of happiness they both know cannot last.
A compelling psychological study, a thoughtful tracing of the birth of a new art form and an atmospheric portrait of 19th-century France: impressive on all three counts.Pub Date: Feb. 7, 2006
ISBN: 0-7432-7114-9
Page Count: 320
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2005
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A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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