by Dominique Lapierre & Javier Moro ‧ RELEASE DATE: May 29, 2002
Though long and sometimes clumsy, Lapierre and Moro’s narrative will draw renewed attention to a terrible event.
An overly dramatized but nonetheless absorbing account of the most devastating industrial accident in world history.
French journalist Lapierre (A Thousand Suns, 1999, etc.) and Spanish reporter Moro relate the terrible tale of Bhopal, the Indian metropolis devastated by a chemical leak at a Union Carbide plant; in just a few hours, as many as 30,000 residents of the city died of the airborne poison, and perhaps half a million others were sickened. In its early pages, the tale threatens to shape up as one of good against evil, pitting unwitting villagers against greedy capitalists (“Pulpul Singh exploited the economic misfortunes of the poor. . . . With a filthy turban on his head and his dagger ever at the ready, this villain was the terror of small borrowers”), but it eventually takes a more nuanced form. Union Carbide, the American industrial giant, had established a modern chemical plant in India—not to colonize the Third World (as some leftist critics charged at the time of the 1984 accident), but at the invitation of the government, which sought new weapons against “the planetary holocaust wrought by armies of ravaging insects,” as a characteristically exuberant chapter title has it. The well-intended effort was misguided to the extent that India’s farmers did not rush to adopt chemical pesticides, preferring to rely on time-proven methods of predator control. Facing lower than anticipated profits, Union Carbide workers and management took shortcuts in equipping the Bhopal plant with modern safety features and in observing proper procedures for storing deadly methyl isocyanate; Lapierre and Moro refer to a suppressed company memorandum acknowledging as much, one that warned that a disaster could strike at any minute. So it did, and Union Carbide earned much bad press—deservedly, it would seem—for seeking a low-cost settlement with survivors during “four long years of haggling . . . in the absence of a proper trial.”
Though long and sometimes clumsy, Lapierre and Moro’s narrative will draw renewed attention to a terrible event.Pub Date: May 29, 2002
ISBN: 0-446-53088-3
Page Count: 448
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2002
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by Dominique Lapierre & translated by Kathryn Spink
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IN THE NEWS
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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