by Don Brown ; illustrated by Don Brown ‧ RELEASE DATE: April 1, 2014
Suitable for avid younger historians and older reluctant readers.
Traditional journalistic questions are applied to Abraham Lincoln’s assassination and funeral, as well as the roundup and executions of John Wilkes Booth and his associates.
Facing the title page is a drawing of John Wilkes Booth, smoking gun in hand, with a speech bubble: “I do not repent the blow I struck.” On the first text page is a watercolor cartoon of Lincoln and the sentence, “It was a rare, cheerful day for President Abraham Lincoln.” Next, the Confederate flag hangs in defeat, as text explains both Lincoln’s satisfaction with the Civil War’s results and how this filled John Wilkes Booth “with seething rage.” Readers then learn about Booth’s failed kidnapping scheme, his cadre of supporters, and the bungled attempts by his cohorts to kill the vice president and secretary of state, which are contrasted with Booth’s successful mission. The text includes often underreported facts about the era’s political climate, such as the possibly hundreds of people killed if “caught gloating over the murder.” Details such as having to lay out the long-bodied Lincoln diagonally on his deathbed and the clues used to track down the escaped Booth are integrated in fast-paced, accessible language. The atmospheric illustrations are void of some of the text’s gorier details, but the topic’s general handling, which assumes considerable historical knowledge, suggests an older audience than the publisher’s recommended 6-10. Sadly, there are no child-friendly suggestions for further reading.
Suitable for avid younger historians and older reluctant readers. (bibliography) (Nonfiction. 9-12)Pub Date: April 1, 2014
ISBN: 978-1-59643-224-6
Page Count: 64
Publisher: Roaring Brook Press
Review Posted Online: Feb. 4, 2014
Kirkus Reviews Issue: Feb. 15, 2014
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by Francisco Serrano ; illustrated by Pablo Serrano ‧ RELEASE DATE: Oct. 16, 2012
An inventive introduction to a fascinating historical figure.
Another collaborative effort by the team that created The Poet King of Tezcoco: A Great Leader of Ancient Mexico (2007) chronicles the life of a controversial figure in pre-colonial Mesoamerica.
The indigenous woman who would serve as Hernán Cortés’ interpreter and companion was born in the early 1500s as Malinali and later christened Marina. She is now called La Malinche. Besides serving as translator to the Spaniard, she also gave him advice on native customs, religious beliefs and the ways of the Aztec. While Marina’s decision to help the Spanish in their often brutal quest for supremacy has led to many negative associations, others see her as the mother of all Mexicans, as she and Cortés had the first recorded mestizo. Although many of the details surrounding the specifics of Marina’s life were unrecorded, Serrano strengthens the narrative with quotations by her contemporaries and provides a balanced look at the life of a complicated, oft-maligned woman. Headers provide structure as events sometimes shift from the specific to the very broad, and some important facts are glossed over or relegated to the timeline. Reminiscent of pre-colonial documents, the illustrations convey both Marina’s adulation of Cortés and the violence of the Spanish conquest, complete with severed limbs, decapitations and more.
An inventive introduction to a fascinating historical figure. (map, chronology, glossary, sources and further reading) (Nonfiction. 10-12)Pub Date: Oct. 16, 2012
ISBN: 978-1-55498-111-3
Page Count: 40
Publisher: Groundwood
Review Posted Online: Sept. 11, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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by Francisco Serrano & illustrated by Pablo Serrano & translated by Trudy Balch
by Kathleen Krull & illustrated by Carlyn Beccia ‧ RELEASE DATE: March 5, 2013
An insightful glimpse into a key period in Alcott’s life and women in nursing.
During the Civil War, Louisa May Alcott served as a volunteer nurse, caring for Union soldiers in Washington, D.C., between December 12, 1862, and January 21, 1863. This well-researched biographical vignette explores the brief but pivotal episode in Alcott’s life.
An abolitionist, Alcott longed to fight in the Union Army, but she did her part by serving as a nurse. Alcott met the female nursing requirements: She was 30, plain, strong and unmarried. Krull describes her challenging solo journey from Massachusetts by train and ship and her lonely arrival in Washington at the “overcrowded, damp, dark, airless” hospital. For three weeks she nursed and provided “motherly” support for her “boys” before succumbing to typhoid fever, forcing her to return to Massachusetts. Krull shows how Alcott’s short tenure as a nurse affected her life, inspiring her to publish letters she sent home as Hospital Sketches. This honest account of the war earned rave reviews and taught Alcott to use her own experiences in her writing, leading to Little Women. Peppered with Alcott’s own words, the straightforward text is enhanced by bold, realistic illustrations rendered in digital oils on gessoed canvas. A somber palette reinforces the grim wartime atmosphere, dramatically highlighting Alcott in her red cape and white nurse’s apron.
An insightful glimpse into a key period in Alcott’s life and women in nursing. (notes on women in medicine and the Battle of Fredericksburg, sources, map) (Picture book/biography. 9-11)Pub Date: March 5, 2013
ISBN: 978-0-8027-9668-4
Page Count: 48
Publisher: Walker
Review Posted Online: Oct. 23, 2012
Kirkus Reviews Issue: Nov. 15, 2012
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by Kathleen Krull & Virginia Loh-Hagan ; illustrated by Aura Lewis
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by Kathleen Krull ; illustrated by Annie Bowler
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by Kathleen Krull & Paul Brewer ; illustrated by Boris Kulikov
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