by Don Eron ‧ RELEASE DATE: Oct. 3, 2023
A throwback literary novel about the anxiety of art and aging.
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In Eron’s debut novel, a failed lawyer takes stock of his life in the weeks leading up to the wedding of a rival.
Presner’s life since law school has not been what he hoped it would be. He’s spent the last 13 years working the graveyard shift selling magazines and cigarettes at a 24-hour newsstand and chipping away at his long-unfinished play. His friends from law school have gone on to high-powered careers, including his nemesis, Gary Marx, who has become a prominent ambulance chaser. Presner has never really forgiven Marx for stealing his girlfriend during law school (or for the cheesy commercials—“Gary got me $20,000”—that have run on television for the last few years). When another old friend stops by the store to let Presner know that Marx is engaged, Presner can’t feel happy for him—even if he plans, like the rest of the old crowd, to attend the wedding. Presner hopes it will provide an opportunity to jump-start his life: He’ll ask his longtime crush, Lisa Caner, to be his date, and he’ll finish his play so he’ll have something to brag to everyone about. But the reunion does not turn out to be the triumph that Presner hopes for. The keystone member of the group—the reason they are a group at all—has always been Norman Fitzhugh. Ever since Fitz helped Presner’s sister, both legally and emotionally, during her battle with cancer 12 years earlier, Presner has considered the man his closest friend. But when it becomes apparent that Fitz has been mismanaging his friends’ money, Presner must figure out how to help vindicate the man—a job that will take all the tricks Presner learned in law school and all the empathy he’s learned as a playwright.
Eron’s prose captures Presner’s analytical, neurotic view of the world, with sentences folding in on themselves to accommodate stray thoughts and observations. Here he describes Presner’s unwillingness to show his play to his perennial crush, Lisa: “Since he’d met her, it was understood that she’d read his play when ready, when abandoned, to quote da Vinci (art’s never finished, but abandoned); even during their yearlong hiatus he had Caner in mind for this capacity—but now that he was sending it out Presner found himself demurring.” The novel unfolds slowly, with every incident filtered through its slacker protagonist’s self-deprecating, emotionally numbed commentary. Presner is like a latter-day Bellow or Roth protagonist, navigating evergreen crises of aging and failure; Eron updates this tradition with Gen X concerns about art and authenticity. The playwriting material feels slightly contrived (Chekhov comes up a lot, and the book is divided into five acts), but the legal material is quite inspired: In his relationship with the charming but untrustworthy Fitz, Presner is able to pick at the graces and flaws of the legal profession. The book may read like it was published in the 1990s, but plenty of it remains relatable to millennials entering midlife.
Pub Date: Oct. 3, 2023
ISBN: 978-1958015049
Page Count: 224
Publisher: Contingency Street Press
Review Posted Online: Sept. 18, 2023
Kirkus Reviews Issue: Nov. 15, 2023
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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by Liz Moore ‧ RELEASE DATE: July 2, 2024
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
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Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
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