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BETTER THAN FICTION 2

Name: BETTER THAN FICTION 2
Author: Don George
ISBN: 978-1-74360-749-7

TRUE TRAVEL TALES FROM GREAT FICTION WRITERS

edited by Don George ‧ RELEASE DATE: Dec. 1, 2015

Pleasant narrative adventures for the armchair traveler.

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A Lonely Planet editor’s compendium of 30 travel essays by an eclectic group of contemporary fiction writers.

Following up on the success of Better than Fiction (2012), George began collecting the pieces that comprise this volume with the intent to present another “moving microcosm of our modern world.” Though not all the essays are equally strong, George's efforts have produced a book that is nevertheless quite engaging. This latest volume offers work by luminaries like Jane Smiley and Dave Eggers, as well as work by newer talents like Porochista Khakpour. The pieces are set all over the world and include destinations as near as Mississippi and Idaho and as far away as Iceland, India, and Saudi Arabia. A few of the stories, such as Karen Joy Fowler’s “An Italian Education” and Khakpour’s “My Mississippi,” explore the ways travel can shape the development of youthful emotional, aesthetic, and/or sexual sensibilities and bring personal identity into sharper focus. Some, such as Eggers’ “The Road to Riyadh” and Mandi Sayer’s “Sleepless in Samoa,” depict the misunderstandings and sometimes-comic misadventures adult travelers often experience when venturing into lands far different from their own. As Lydia Millet observes in “Rocky Point,” “travel has a way of turning us into children” who have the choice to consciously grow beyond their vulnerabilities, prejudices, and misconceptions about others. Indeed, the trope of travel as the great teacher is played out in many other entries, such as Shirley Streshinsky’s “Travels with Suna.” The author reflects on her 30-year cross-continental interactions with an Indian woman who showed her the true meaning of friendship. As diverse as these essays are, one common thread—apart from the fact that they are all by fiction writers—unites them: beyond particulars of time and place, life is the greatest journey of all. Other contributors include Alexander McCall Smith, Francine Prose, Lily King, and DBC Pierre.

Pleasant narrative adventures for the armchair traveler.

Pub Date: Dec. 1, 2015

ISBN: 978-1-74360-749-7

Page Count: 320

Publisher: Lonely Planet

Review Posted Online: Sept. 7, 2015

Kirkus Reviews Issue: Oct. 1, 2015

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.