A smart, funny, and sneakily terrifying version of the way we live now. (Do not read without working air conditioning.)
In the throes of a sanity-destroying summer, a Toronto woman explores a dangerous new hobby.
It’s not just hot, it’s an “end-of-days climate that increasingly resembled an Old Testament Hell.” In fact, thinks Beatrice Billings, “It could rain frogs now and humanity would take it in stride….Oh, it’s always rained frogs....She knew our Saviour had thrown in the towel and gone back to His golf game, and knew that mankind deserved to be punished. Certainly Bea deserved it.” Why does Bea, a 49-year-old Toronto art dealer with a son in college and a shaky marriage, think she deserves punishment? It begins on just another day she’s stuck in her empty gallery feeling lonely, bored, stressed out, and claustrophobic. She Googles “escape.” One video later, she’s sending away for a lock-picking kit. Not long after, she joins a lock-picking club; turns out, she’s very good at it. Next thing she knows, she's trailing a woman who’s just paid cash for a $1,500 dress. She returns to the woman’s home the next day, gets in fairly easily, and leaves with a rich store of knowledge about the lives of this woman and her husband—and also the dress. It doesn’t stop there for Bea, though after the first time, stealing isn’t part of the routine. She does tend to leave marks of her uninvited visits, at one house typing a Descartes joke into a crappy philosophy manuscript and, at another, phoning in a tip to a suicide hotline. Gillmor does an impressive job of keeping Bea not just sympathetic but even normal-seeming as this outlandish summer progresses. She does all she can for her mother, who’s in memory care; she’s patient with her annoying sister, who has lots of opinions while not contributing at all; she misses her son, whose presence in her life has been reduced to infrequent texts, not to mention her husband, who’s drifted as far from her as she has from him. As for breaking and entering? The genius of this book is to capture the exact way a familiar world of aging parents and divorcing friends and nice charcuterie platters could go right around the bend. Oh, you know, it’s always rained frogs.
A smart, funny, and sneakily terrifying version of the way we live now. (Do not read without working air conditioning.)Pub Date: Aug. 15, 2023
ISBN: 9781771965231
Page Count: 240
Publisher: Biblioasis
Review Posted Online: Aug. 10, 2023
Kirkus Reviews Issue: Sept. 1, 2023
PERSPECTIVES
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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