An animated, indelible cast drives this entertaining, otherworldly tale.
A teenager with a newfound ability finds a magical world that’s threatened in this YA fantasy.
Clara Thorn constantly feels that she doesn’t belong. As she and her parents move a lot, the 13-year-old girl has been changing schools without making any friends. Las Vegas is no different; copious bullies zero in on her, mocking her for such things as her family being “poor.” That’s why she’s surprised to see a trio of bullies on her side of Vegas—the less affluent residential neighborhoods. Clara follows them and stumbles into Underhill, a place outside the ordinary world where magical people live. The teen is later shocked to learn that her birthparents, who wielded magic, were forced to abandon her as a baby. As she’s now at the age when her own talents will surface, Clara starts to see magic in the form of floating, multicolored numbers and symbols. But things could go wrong if she doesn’t learn to control her powers, so she attends Liginbaum’s School for Witches in Underhill. Clara gains some friends, but even a magical world unfortunately has bullies. It’s likewise not immune to dangers, as someone seems to be targeting Borders, the hidden passageways between Underhill and the ordinary world. Outside of Underhill, paladins, or witch hunters, chase down magical people like Clara. But she and her friends suspect an individual right there in Underhill is working with paladins in a Borders scheme that may be harmful for everyone, including “Ordinaries” such as Clara’s beloved, adoptive parents.
Jones’ series opener brims with wonderful characters. Both sets of Clara’s parents are especially memorable. Her softhearted adoptive mother and father have raised her as their own daughter. Clara’s birthparents, paladin-battling “counter-hunters” who vanished 12 years ago, have become legendary in Underhill. While a school for magical youngsters has become a popular subgenre all its own, this novel unfolds as an engrossing mystery. For example, Clara and her pals, to unearth information on their suspect, scour a library for specifics on Underhill’s complex history. At the same time, Underhill teems with magicians who create fire or teleport as well as numerous otherworldly creatures, from wolflike beasts to Oilliphéist (lake dragons) and velvety direbunnies with pink noses and two rows of long, sharp fangs. Clara’s ability, meanwhile, is even greater than it initially seemed; she can “tweak” someone else’s magic and proves capable of much more as the story progresses. Her synesthesialike power showcases the author’s radiant prose: “Clara realized that the room—the very air—was filled with glowing equations—not the usual soft reds, blues, and greens she was used to seeing, but angry, bright primary colors muddied with brown and black.” Jones caps off this story with a special recipe for fizzycider, a fruity Underhill beverage, written for Ordinaries (no magic required). By the end, a few sequel-teasing mysteries linger, most notably an enigmatic, apparently formidable villain only mentioned in passing.
An animated, indelible cast drives this entertaining, otherworldly tale.Pub Date: Sept. 30, 2022
ISBN: N/A
Page Count: 387
Publisher: Self
Review Posted Online: Sept. 7, 2022
Review Program: Kirkus Indie
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
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