THE PARTITION

Nine stories feature complicated Asian American characters living insightfully depicted lives in the worlds of moviemaking, restaurants, and bedrooms.

The complicated, frustrating, sometimes self-defeating experience of Asianness defined by Cathy Park Hong in Minor Feelings receives kaleidoscopic treatment in Lee's sixth work of fiction, returning to the concerns of his landmark debut collection, Yellow (2001). Like the frustrated film director in the first story here, "Late in the Day," Lee has, in his interim novels, given us narratives that include Asian characters but are not mostly about ethnicity. Now he dives back in, deconstructing the exponential complications of Asian identity. In the spellbinding title story, the lead character confounds people. "Was she Chinese? Japanese? (She was Korean.) Subsequent was her nationality. Was she a North Korean or South Korean citizen, then? Or an immigrant? Did she have a green card? (She was a naturalized US citizen.) Then there was the question of her name, Ingrid Kissler. Was this an Americanization of her Korean name, something she had made up? Or had she once been married? (She’d been adopted by a white couple from Chanhassen, Minnesota, at the age of two, from an orphanage in Seoul.)" This character is in trouble—her tenure application is being blocked because her translation of a Korean novel has been revealed to be full of errors. Actually, she's not fluent in Korean. Her meeting with Yoo Sun-mi, the author of the novel, takes place in the wilds of Colima, Texas, a location evoked brilliantly here and in parts of the final sequences of three stories. This trilogy, called "Les hôtels d'Alain," follows the life of minor film star Alan Kwan in three incandescent episodes showcasing, from the title on out, the author's signature dramatic irony. The first is set in Alan's youth as a CIA agent's son living in a hotel in Tokyo; it revolves around a disastrous date at an Eric Clapton concert. The second features Alan's experience during the boiling-hot, seemingly endless shoot of a narco film in El Paso. Playing a hit man forced to speak his single line in the stereotypical "Oriental" accent, he essentially destroys his career. And finally, on to his trials in middle age as a bubble tea mogul in San Francisco.

Smart, sexy, darkly funny, and enlightening stories from a master of the form.