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SEAL TEAM SIX: HUNT THE FALCON

Action is the purpose here, and Mann and Pezzullo deliver. Those looking for something more could be dissatisfied.

Bang. A shoot'em-up novel contemporaneous with world politics.

Thomas Crocker is a red-blooded, patriotic warrior and leader of the fabled SEAL Team Six. His five team members cover the spectrum of American society, and all are tough, battle-hardened and ready for action at a moment’s notice. That notice begins in Bangkok as a young autistic boy is left an orphan when a bomb is attached to his parents’ car by a passing motorcycle rider. The attack is duplicated toward American targets in other foreign cities, and we are off on a global chase for the very bad guys. Mann and Pezzullo (Seal Team Six: Hunt the Scorpion, 2013, etc.) bring it on fast and heavy. They put the reader in the center of the action—the smells, sounds, savagery of war. (Note that author Mann is a former SEAL.) This war against terrorism targets an Iranian government–sanctioned cadre called Unit 5000 that intends to do serious damage on American soil. To stop them, Crocker and his SEALs work with the CIA and move quickly from Afghanistan to Thailand to Venezuela, ending in Ahvaz, Iran, running through the bad guys’ offices. The SEALs are efficient and deadly, scarred physically and mentally from their work. And it is work, plain and simple, for the warriors they are trained to be, leaving their families to fend for themselves within the secrecy each man must maintain. Mann and Pezzullo can write action and place, politics and patriotism, but the novel feels like it is stitched together, a travelogue of violence. The characters are not fully formed but remain snapshots of what we envision a Navy SEAL to be in the flesh. Retribution drives Crocker as much as duty and patriotic zeal, and when the good guys win, they end with a sentimental moment with the autistic orphan the book began with. Like a good SEAL mission, the circle is completed.

Action is the purpose here, and Mann and Pezzullo deliver. Those looking for something more could be dissatisfied.

Pub Date: Dec. 3, 2013

ISBN: 978-0-316-24711-5

Page Count: 336

Publisher: Mulholland Books/Little, Brown

Review Posted Online: Nov. 23, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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