A worthwhile read for aspiring ethnographers or readers interested in South Pacific culture.
This collection of short stories by anthropologist Mitchell provides a window into the culture of the Pacific Islands.
The Nagovisi people live in West-Central Bougainville Island, which is part of the Solomon Islands in terms of culture and ethnicity but is politically part of Papua New Guinea. Although the stories Mitchell presents are to be read as fiction rather than ethnography, they nevertheless offer a glimpse of a group of people and a way of living with which many readers are likely unfamiliar. The tales, which range in length from a single page to 50, display a variety of storytelling techniques. Some, such as “Crocodile Kills His Father” and the eponymous “A Red Woman Was Crying,” are takes on traditional folktales. In the former, after a woman named Sipita gives birth to the first crocodile, she hides him in a basket and warns her husband not to look inside, just as, say, Bluebeard warned his wife not to open the closet and Pandora was warned not to open her box. Some of the stories give a view of the larger Nagovisi culture and seem representative of what might be told to children, the equivalent of the Western tale of Mother Goose. Others have a more typical narrative structure and, rather than highlighting any sort of overarching mythology or belief system, serve to explicate aspects of day-to-day life in this culture. There’s much of interest here, particularly to readers with an anthropological bent, but even though Mitchell doesn’t aim for this to be an academic text, a little more context would be helpful. The collection would also read more smoothly if the folktales were presented in some kind of lucid order; as is, the contrasts in style can be abrupt and somewhat jarring.
A worthwhile read for aspiring ethnographers or readers interested in South Pacific culture.Pub Date: July 11, 2013
ISBN: 978-0983307242
Page Count: 266
Publisher: Saddle Road Press
Review Posted Online: Jan. 25, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
All hits and no skips is a tall order, but this strong, solid compilation is well worth a short story lover’s time.
Pitlor ushers in her final installment as series editor of this long-running staple showcasing the year in short fiction.
Of all the kids at the literary lunch table, the anthology might have it the hardest. Wearing plaid with stripes, unpacking the random items in its lunch box—it’s hard for a cohesive personality to shine through, unlike those cool-kid single-author collections. But if readers are prepared for eclecticism—and since Best American Short Stories was established in 1915, we must be—these 20 stories have something for everyone. Guest edited by Groff, a seven-time Best American author, the collection includes some nods to short story royalty: Jhumpa Lahiri, Lori Ostlund, the late Laurie Colwin, and Jim Shepard are all represented. But as both Pitlor and Groff discuss in their introductions, Groff sent back Pitlor’s initial batch of stories asking for something “rawer, meaner, spikier”—stories with their own “weird logic.” (Groff’s description of this aesthetic preference lands better than her diatribe against the first-person point of view, which precedes 12 of 20 stories in first-person.) In finding weird, spiky stories, Groff leans hard—and often thrillingly—on early-career writers. There is Katherine Damm’s sparkling and funny “The Happiest Day of Your Life,” featuring a young husband freewheeling into drunkenness at a wedding reception for his wife’s ex-boyfriend. In Suzanne Wang’s inventive “Mall of America,” AI narrates a tale of corporate (and all-too-human) woe when an elderly man spends time after hours in the mall’s arcade. Madeline Ffitch’s “Seeing Through Maps” recounts the tense relationship between two neighbors with a complicated history. In Steven Duong’s “Dorchester,” a young writer has a poem go viral after an anti-Asian hate crime.
All hits and no skips is a tall order, but this strong, solid compilation is well worth a short story lover’s time.Pub Date: Oct. 22, 2024
ISBN: 9780063275959
Page Count: 400
Publisher: Mariner Books
Review Posted Online: Sept. 13, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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