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CITY OF DREAMS

Enjoyable despite a few flaws, but damn, it’s dark.

A gangster heads to LA in this bleak sequel to City on Fire (2022).

It's 1988. Recently widowed drug dealer Danny Ryan wants to “get the hell out of Rhode Island,” where the victorious rival Moretti crime family wants him dead. He and a few buddies steal millions of dollars’ worth of the Morettis’ heroin, which he dumps into the ocean. Then they rob the gang of cold, hard cash, lots of it. But Danny won’t kill anyone. “We came for the money, not a massacre, Danny thought. Tens of millions of dollars in cash to start new lives, not keep reliving the old ones.” Then he and his pals head west to Tinseltown. More than anything else, he’d like to protect his young son, Ian, and raise him in a crime-free environment. Perhaps Danny’s estranged mother, Madeleine, can help if he’ll allow it. You’d think he’d keep a low profile, but instead he makes a series of blunders such as investing in a particular movie and boffing a famous actress. Thus, he forgets his old man’s advice: “When you’re on the run, you leave the skirts alone.” Danny is, to play on the book’s favorite profanity, effing inept. (Of course, if he does everything right there is no story, so there’s that.) Instead of leaving his East Coast troubles behind, he brings them along where they metastasize into bloody violence. The story is well crafted but for a deus ex machina ending, and even that is enough of a shocker that readers may not mind. Along the way are a couple of eye-popping twists. And there are some great lines: “I thought Jesus died for my sins…” Danny muses. “Maybe my sins just maxed out Christ’s credit card.” And “Ned Egan has killed more guys than cholesterol.” While the story can stand alone, readers might want to read City on Fire first, as it provides essential background and is the better story. There is a glimmer inside Danny Ryan suggesting he wants to become—could become—a good person if he can only survive. The story has no more violence than many other crime thrillers, but a sense of hopelessness progressively builds. Danny pisses off his enemies, has the FBI’s attention, and brings heartbreak to Hollywood. He may not live to raise his 3-year-old son.

Enjoyable despite a few flaws, but damn, it’s dark.

Pub Date: April 18, 2023

ISBN: 978-0-06-285123-9

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: March 10, 2023

Kirkus Reviews Issue: April 1, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GONE BEFORE GOODBYE

Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.

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A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.

Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.

Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.

Pub Date: Oct. 14, 2025

ISBN: 9781538774700

Page Count: 352

Publisher: Grand Central Publishing

Review Posted Online: Oct. 15, 2025

Kirkus Reviews Issue: Dec. 1, 2025

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