by Donald Hall ‧ RELEASE DATE: Sept. 6, 1993
From well-known poet and memoirist Hall (Their Ancient Glittering Eyes, 1992, etc.), a meditation-memoir on the theme of work that becomes something much more when, midway through the writing, the author learns he has cancer. At 63, Hall is mightily productive in poetry, memoir, essay, letter, story, and review, and he sets out to devote part of each working day (for Hall, there are seven of these a week) to writing this book, its title bespeaking its theme. In 1975, we learn, Hall gave up teaching and became a full-time writer, retiring to the farm in Vermont that had once belonged to his grandparents. As the book begins, Hall mourns the recent death of a close friend, preacher, and hard worker; settles on a definition of productive work as a state of ``absorbedness''; touches on history, family, his own literary output, his great love of the work he does, the number of revisions he puts poems through, what time he gets up, what he eats for breakfast and lunch, even when he walks the dog and drops manuscripts off with the typist. A phone call changes the tone of all of this when a routine blood test shows a recurrence of cancer and sends the poet into surgery. A couple of weeks later, facing both chemotherapy and newly diminished odds for living more than another few years, Hall picks up his narrative and—keeps going. Under the deepened shadow of mortality, he writes with eloquent simplicity about the old-fashioned working farm-life of his Vermont grandparents, the declining health of his aging mother, and—with a consummate and moving poise—his father's unhappiness in his own work, and his early death from cancer. History, life, work, art, dedication, love, and courage—all without becoming saccharine or smug or maudlin, in a treasurable small book, poetic in its plainness, about how to live well. (First printing of 25,000)
Pub Date: Sept. 6, 1993
ISBN: 0-8070-7054-8
Page Count: 132
Publisher: Beacon Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1993
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by Donald Hall ; illustrated by Mary Azarian
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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