Hall (Here at Eagle Pond, 1990, etc.) has updated his 1977 book of literary gossip—memories, anecdotes, psychoanalytic clues- -beyond the original quartet of subjects: Dylan Thomas, Frost, Eliot, and Pound. He's now included Yvor Winters, Marianne Moore, and Archibald MacLeish as well. (There are two Moore-Hall interviews included too.) Though it is the aged poet whom Hall- -himself aging, no longer the young ancillary and apparatchik—now finds himself most interested in, the memories here are still angled upward: Hall the student or eager interlocutor of the renowned. The MacLeish/Winters chapter is especially forthright in its admission of Hall's hunger for models, no matter the age or station: ``Wanting to be as generous or affable as MacLeish yet wanting to be as rigorous as Winters, I totter from one example to the other, in temperament closer to MacLeish and in aspiration to Winters.'' The Marianne Moore piece is milkier—Moore's fastidious mystery harder to subsume personally. The additions here, then, hardly transfigure (or even much enlarge) the earlier edition—but many of the stories, especially the Pound and Eliot ones, remain honeys.
Pub Date: Aug. 19, 1992
ISBN: 0-89919-979-8
Page Count: 320
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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