Harington rides again.
The Depression years are made a mite less depressing by the likable protagonist of this latest of Harington’s ongoing Arkansas Ozark chronicles.
He’s “Hoppy Boyd, the happy moving showman of moving pitchers,” an itinerant entrepreneur who brings good cheer in the form of cowboy movies to the inhabitants of the several towns along his route. Hoppy (real name: Landon) isn’t all that happy, however, burdened by a strong sense of his failure to amount to much and by chronic sexual frustration exacerbated no less by the infrequency of his experiences than with the nagging fear that he’s an inept lover. Matters begin improving when Hoppy permits teenaged stowaway “Carl Whitlow” to become his assistant, delightedly discovers Carl’s true identity and bolsters his traveling shows with such inspired innovations as magic tricks and buttered popcorn. Trouble looms, in the unambiguously threatening form of hellfire-and-damnation preacher Emmett Binns (who finds error and blasphemy in even popular favorite Hopalong Cassidy’s G-rated exploits), and in the outwardly pleasing one of manly storekeeper Arlis Fraught (both Hoppy’s declared best friend and his most troublesome rival). The novel meanders along amiably, and pretty much plotlessly—until all Hoppy’s films are stolen, and in desperation he exhibits Max Reinhardt’s classic 1930s film version of A Midsummer Night’s Dream, and the complications kick in. The ensuing pleasures include a rib-tickling summary of the play’s dizzying plot (from Hoppy’s hornswoggled viewpoint), and a series of mock-heroic romantic escapades that deftly echo Shakespeare while gently revealing what fools these good country people be. It’s all somewhat ragged, but Harington sells it skillfully, providing some luscious zingers: “Singing cowboys ought to be rounded up and shot,” he writes, and “There’s no understanding the human heart, let alone the human tallywhacker.” That last one belongs in Bartlett’s Familiar Quotations.
Harington rides again.Pub Date: Sept. 1, 2005
ISBN: 1-59264-123-7
Page Count: 200
Publisher: Toby Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2005
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
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