Wild, weird, and wonderful. Harington should send a copy to Al Gore—then disconnect his phone.
If Robert Penn Warren had ever been turned on to hallucinogens, he might have produced something like this fantasy of a mad southern autodidact who runs for governor of Arkansas and finds just enough lunatics to bring him to the threshold of victory.
Real-life characters (the author among them) are mixed into this stew of fiction and fact, which simmers at a nice slow pace in Harington’s roundabout narration. We start from the little Ozark hamlet of Stay More (When Angels Rest, 1998, etc.), home to the polymath pig-farmer Vernon Inglenook. Made rich at an early age by the razorback hogs his family for generations has turned into the succulent Inglenook Hams, Vernon has been able to devote the better part of his life (i.e., the afternoon and evening parts, once the hogs had been slopped) to a systematic program of self-education. Moving from A to Z, he had already mastered art, chess, finance, medicine, and oceanography by the time he reached politics. Not content with skimming Locke and Hobbes, he decided to test their theories by running for governor against the odious incumbent, Shoat Bradfield. Although he has no political experience and quite a few political liabilities (not the least being a common-law marriage to his first cousin Jelena Inglenook), Vernon puts together a first-rate campaign team (known to the press corps as “The Seven Samurai”) that manages by hook and crook to bulldoze him through the primaries and to the Democratic nomination. Vowing to “extirpate” handguns, tobacco, prisons, schools, and hospitals from the state if elected, Vernon presents one of the strangest campaign platforms ever seen. Are there enough madmen—even in Arkansas—to get him into office? Let’s just say that it all comes down to absentee ballots in the end.
Wild, weird, and wonderful. Harington should send a copy to Al Gore—then disconnect his phone.Pub Date: April 1, 2002
ISBN: 0-8050-6855-4
Page Count: 402
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2002
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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