An in-depth personal/sociological/cultural saga of one US family, 1945-90. Beginning with Sam Gordon's 1945 return from WW II to his wife and two-year-old daughter in Brooklyn, Katz (The Big Store, winner of the 1988 Heartland Prize for nonfiction) tells the life story of the Gordons and their three daughters and son. Integral to Katz's narrative are the social trends, generational perspectives, movies, books, and music that shape and texture the Gordons' lives. Thus in the Fifties, the Gordons live by the widely touted ideal of ``togetherness,'' all sitting down after dinner to an evening of TV. By the late Sixties, though, when the daughters have their own families, psychological pundits have declared that the nuclear family's rigid togetherness breeds psychoses and emotional damage. Sam Gordon, the personification of American blue-collar, work-hard-and-better-your-lot ethic, is bewildered when his daughter moves into the East Village squalor of his childhood, and disappointed in his only son, who grows up to be a gay art-song composer (though Ricky eventually becomes the apple of Sam's eye). Susan, born in 1943, enjoys the most dramatic story. Winning a scholarship to Vassar, she becomes a successful writer—covering the 1967 ``First Human Be-in'' in Golden Gate Park for Newsweek, and receiving a $10,000 advance from Random House for a pre-Kate Millett feminist analysis of sex. By 1987, though, she's a junkie living on the street. The trouble with Katz's account is that, despite its immense detail and careful meshing of familial foreground and social background, it sometimes seems historical and cold, with the cultural artifacts surrounding the Gordons often the most typical and obvious ones of years past. Of interest but not quite a match for William Manchester's The Glory and the Dream (1974), the brilliant cultural history to which Katz's book, with its twist of family overlay, owes much. (Sixteen-page b&w photo insert—not seen.)
Pub Date: June 17, 1992
ISBN: 0-06-019009-4
Page Count: 624
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1992
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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