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SUPREME CITY

HOW JAZZ AGE MANHATTAN GAVE BIRTH TO MODERN AMERICA

A scholarly enough social history but one with plenty of sex appeal.

An award-winning historian surveys the astonishing cast of characters who helped turn Manhattan into the world capital of commerce, communication and entertainment.

Except for occasional geographic detours to Harlem for the Cotton Club or the Bronx for Yankee Stadium, and a couple of temporal departures that highlight, for example, the completion of Grand Central Terminal or the opening of the George Washington Bridge, Miller (History/Lafayette Coll.; Masters of the Air: America’s Bomber Boys Who Fought the Air War Against Nazi Germany, 2006, etc.) confines his story to Midtown Manhattan and the 1920s. Even with these self-imposed boundaries, the narrative bursts with a dizzying succession of tales about the politicos, impresarios, merchants, sportsmen, performers, gangsters and hustlers who accounted for an unprecedented burst of creativity and achievement. Readers with even a passing acquaintance with Jazz Age New York will recognize many of Miller’s characters—Mayor Jimmy Walker, Babe Ruth, Charles Lindbergh, Duke Ellington, Jack Dempsey, Walter Chrysler, David Sarnoff, Florenz Ziegfeld—but how many know the story of Othmar Ammann, perhaps history’s greatest designer of steel bridges? Or bootlegger Owney Madden, model for his friend George Raft’s silver-screen gangster? Or Lois Long, hard-living fashion editor for Harold Ross’ New Yorker? Or boxing promoter Tex Rickard, first to recognize that each fight required an intriguing narrative to build box office sales? Or the charismatic Horace Liveright, who thought of each book he published as an event? How the speak-easies hummed and how Prohibition democratized drinking, how cosmetics queens (and mortal enemies) Helena Rubenstein and Elizabeth Arden blazed new paths for women, how Bergdorf Goodman and Saks Fifth Avenue became fashion meccas, how “mansions in the sky” blossomed all over the city—all this and much more cram Miller’s sprightly narrative about a city so convinced of its centrality as to employ an “official greeter.”

A scholarly enough social history but one with plenty of sex appeal.

Pub Date: May 6, 2014

ISBN: 978-1-4165-5019-8

Page Count: 672

Publisher: Simon & Schuster

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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