by Donald Trump Jr. ‧ RELEASE DATE: Nov. 5, 2019
Trump Jr. importunes liberals to buy his book "and throw it away." Do him one better: Don’t buy it at all.
The president’s son writes indignantly of “sleepy liberal losers, socialist crybabies, and hypocritical politicians and media.”
The nut doesn’t fall far from the tree. Trump Jr. shares with his father highly specific complaints about the polity as it is, projecting madly as he goes along: Activists use Twitter in place of “our most important media institutions.” The left is a fantastically well-funded machine. “My father says a place is infested with rats, the mob cries racism.” The Mueller Report, written by “an old, over-the-hill puppet,” exonerates father and son. (It does no such thing.) More broadly on the spectrum of paranoia, Trump Jr. is sure that “as the son of a rich white guy living in 2019, I’m essentially not allowed to have an opinion anymore, let alone express that opinion in public,” a curious thing to say in a book of scattershot opinions expressed in public, presumably for a nice chunk of change. He protests that he’s a funny guy, but there’s not much humor in the book—unless you laugh at lines like, “Al Franken was a creepy pervert” (paging Stormy Daniels), and “I may even have pulled some pie charts out of my shorts,” or unless you agree that border crossers are animals and think it’s a fine jape to separate children from their families and lock them up in detention centers. Overall, Trump Jr. is not funny but rather bitterly angry, spitting invective at the likes of Pelosi and Comey, excoriating “Crooked Hillary” and insisting that, next to her, “Biden is the most corrupt establishment politician ever to take a lobbyist’s checks,” and reviling the media as “fake news” (unless it delivers news he agrees with, in which case it’s all right). Like his father, think of a petulant toddler who has a fondness for straw men and an inability to add –ic to “Democrat” and who thinks of himself as “snarky and handsome,” and you need read no more.
Trump Jr. importunes liberals to buy his book "and throw it away." Do him one better: Don’t buy it at all.Pub Date: Nov. 5, 2019
ISBN: 978-1-5460-8603-1
Page Count: 304
Publisher: Center Street/Hachette
Review Posted Online: Nov. 18, 2019
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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