by Donna Burtch & William Burtch ‧ RELEASE DATE: May 3, 2022
An engrossing, if somewhat fawning, history of an unheralded American hero.
A brother and sister uncover a lost Civil War–era history of an ancestor in this biography.
During the “idle hours” and “imposed stillness” of quarantine during the Covid-19 pandemic, sibling authors Donna Burtch and William Burtch filled their hours looking through 19th-century records as they conducted meticulous research into the life of their great-great-great-grandfather, William Gould “W.G.” Raymond. Born on July 4, 1819 in rural New York, his life as a young adult was defined by his pursuit of “earthly pleasures” until a religious conversion at a revival (accompanied by “several visions”) kicked off a lifetime vocation as a preacher. During the Civil War, Raymond served as a Union soldier and was selected by Abraham Lincoln as the initial commanding officer responsible for raising the 1st United States Colored Troops of the District of Columbia—the country’s first federal regiment of Black soldiers. This task would only take a few weeks, but the book argues that Raymond was essential to its success, even fronting hundreds of dollars of his own money for uniforms and provisions. Accompanying him in the formation of the regiment, “against a backdrop of fierce resistance and the threat of death,” was famed Black preacher and activist Henry McNeal Turner. Lincoln would later appoint Raymond as chaplain of the Washington, D.C., hospitals. Raymond’s story, the authors convincingly write, was “swept under a bureaucratic rug,” despite his service to his country, when the U.S House of Representatives Committee on War Claims in the 1880s refused to acknowledge his contributions to the USCT. In particular, the committee rebuffed his efforts to recover the personal funds he used during its formation, despite dozens of letters from influential Black figures of the time endorsing his claim.
Based largely on Raymond’s unpublished autobiography—a loose-leaf volume held together with rubber bands, passed down within the Burtch family. They tell of how they fact-checked his claims and corroborated nearly all his assertions with the historical record, as noted in the press, the correspondence of elected officials, and online information from government departments, among other sources. Because of the dearth of published materials on Raymond’s activities, the book’s endnotes rely heavily on passages from the memoir, which will offer even veteran historians a novel perspective on the events of the Civil War. However, although the narrative notes Raymond’s troubles, including his opium addiction, it tends to skew toward hagiography, rather overselling his interesting life and admirable work during the Civil War as “incredible” and “inconceivable.” With fewer than 100 pages of narrative text, and many chapters with fewer than five, the book focuses on simply presenting the facts of Raymond’s life, rarely pausing for historical context or critical analysis. Despite this, it remains an engaging history, written by authors who know how to tell a story well. Its appeal to a wide audience will be further enhanced by its liberal inclusion of visual aids, from paintings and photographs to reproductions of newspaper articles, letters, and other primary source material.
An engrossing, if somewhat fawning, history of an unheralded American hero.Pub Date: May 3, 2022
ISBN: 978-1-62006-908-0
Page Count: 117
Publisher: Sunbury Press Inc.
Review Posted Online: July 11, 2022
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Brandon Stanton ; photographed by Brandon Stanton
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by Pamela Anderson ‧ RELEASE DATE: Jan. 31, 2023
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
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New York Times Bestseller
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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