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LILY AND DUNKIN

Gephart’s compassion is noble, but it’s not enough to make Lily's story resonate.

Lily is trans and is facing puberty, which will make her look less than herself than she does now, while new kid Dunkin’s manic impulsiveness makes him a misfit; though they click immediately, life gets complicated.

According to her author’s note, Gephart promised her son a story with a character who is bipolar like him and promised herself a story of a trans girl, to help foster understanding of people like them. Gephart clearly has a lot of heart, and she tells their stories with compassion. They speak in alternating first-person narration with cursive headers for Lily and block capitals for Dunkin. Dunkin’s insensitivity during manic episodes doesn’t erase the fact that he’s a good kid, and that comes through. But trans readers will likely not recognize themselves in Lily, even if they share some common ground. Lily is perfectly polite, unfailingly kind, with nary a bad thought, angelic right up to her fairy-tale ending. Though Gephart does a good job of rounding out her other characters, Lily is so pristine that she feels mythical, falling into the pile of fiction’s magical misfits so perfect it’s impossible not to accept this one little departure from the norm. There are too few messy, complicated trans heroes that still find love and acceptance in literature for kids, and while cis readers may find it educational, this isn’t going to change that.

Gephart’s compassion is noble, but it’s not enough to make Lily's story resonate. (resources) (Fiction. 10-14)

Pub Date: May 3, 2016

ISBN: 978-0-553-53674-4

Page Count: 352

Publisher: Delacorte

Review Posted Online: Feb. 1, 2016

Kirkus Reviews Issue: Feb. 15, 2016

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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DRAMA

Brava!

From award winner Telgemeier (Smile, 2010), a pitch-perfect graphic novel portrayal of a middle school musical, adroitly capturing the drama both on and offstage.

Seventh-grader Callie Marin is over-the-moon to be on stage crew again this year for Eucalyptus Middle School’s production of Moon over Mississippi. Callie's just getting over popular baseball jock and eighth-grader Greg, who crushed her when he left Callie to return to his girlfriend, Bonnie, the stuck-up star of the play. Callie's healing heart is quickly captured by Justin and Jesse Mendocino, the two very cute twins who are working on the play with her. Equally determined to make the best sets possible with a shoestring budget and to get one of the Mendocino boys to notice her, the immensely likable Callie will find this to be an extremely drama-filled experience indeed. The palpably engaging and whip-smart characterization ensures that the charisma and camaraderie run high among those working on the production. When Greg snubs Callie in the halls and misses her reference to Guys and Dolls, one of her friends assuredly tells her, "Don't worry, Cal. We’re the cool kids….He's the dork." With the clear, stylish art, the strongly appealing characters and just the right pinch of drama, this book will undoubtedly make readers stand up and cheer.

Brava!  (Graphic fiction. 10-14)

Pub Date: Sept. 1, 2012

ISBN: 978-0-545-32698-8

Page Count: 240

Publisher: Graphix/Scholastic

Review Posted Online: July 21, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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