Hemans’ thoughtful family tale is a balm for readers.
After living in Brooklyn for more than 30 years, a woman returns to her childhood home in Jamaica.
At 93, Rupert Greaves is not long for this world, and Pearline, his 60-something daughter, has returned to her childhood home to be by his side in his final days. In the U.S., Pearline is still viewed as an outsider, a “resident alien” after three decades, and she hopes to find a sense of belonging in her homeland. She soon learns the hard truth that returning home is far from easy. “Sometimes she feels herself trying too hard...a feeling that she’s performing Jamaicanness.” Her sisters, Aileen and Hermina, see her as an interloper who’s been away too long to know the problems they face; young Claudia—the child of her father’s caretaker—has become her temporary responsibility. And then there’s the matter of her father’s baffling final wish. For the past 60 years, Rupert has refused to acknowledge the three adult children who stayed behind when the family returned to Jamaica from Cuba (as well as another who died as a child). His deathbed wish—“Find them for me. You are my memory now”—goes unheeded by her sisters, who want to sell the family land and wash their hands of it, but for Pearline, this responsibility weighs heavy. Despite Rupert’s charge, much of the novel is more a literary exploration of grief, family schisms, and belonging than a search for missing siblings. Fractured memories and dreams of the past infuse this unassuming story with a rich and elusive history spanning three countries, and they depict a family that’s more orchard than tree. The novel’s sedate pacing, which evokes rocking-chair musings on mortality and responsibility, brings a welcome reprieve from stories laden with plot twists and action for the sake of it.
Hemans’ thoughtful family tale is a balm for readers.Pub Date: Jan. 30, 2024
ISBN: 9798986241814
Page Count: 304
Publisher: Zibby Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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