Well-meaning but wooden drama from Hill (An Ordinary Woman, 2002, etc.).
Toxic memories, mental illness, painful recovery.
Rayne Holland is a “wonderful, caring person with a brilliant filmmaking career ahead of her.” Her emotionally wrenching documentary on incest victims garnered stellar reviews and important awards. Her marriage to handsome Paul has some problems—more on that later—but she loves her five-year-old daughter Desiree and her life in Savannah, Georgia, among the African-American intellectual elite. Lately, though, Rayne has been moody, troubled by nameless fears and a strange distractedness. And she’s not interested in sex, to Paul’s dismay. After she alone survives the car crash that kills her husband and daughter, she tries to kill herself and winds up in a mental institution. Suicidal, mute with shock, emotionally withdrawn—well, maybe she can recover in this safe haven, paid for by a seemingly limitless insurance plan. There is no shouting in this distinctly unreal haven, no lunatics running about in tattered gowns—in fact, none of that crazy-folks mess anywhere. Decorous patients stroll the beautifully landscaped paths, accompanied by kindly doctors. But why, asks her lifelong friend Gayle, won’t she speak? These things take time, replies Pauline Dennis, a compassionate psychologist right out of decades of TV dramas written for women, as she smoothes her immaculately starched white smock, musing silently on the powerful connection she feels to her new patient. Her interviews with Rayne’s family begin to uncover various secrets. There is Seething Resentment over Paul’s clandestine affair with Gayle, and Deep-Seated Guilt over her mother’s early death. There’s even Emotional Neglect and an Indifferent Father—but Dr. Dennis has a feeling there’s Something More. And a Terrible Secret comes to light: Rayne is an incest victim herself, sexually assaulted by her uncle. Will she ever find closure and heal the wounds of the past?
Well-meaning but wooden drama from Hill (An Ordinary Woman, 2002, etc.).Pub Date: Jan. 21, 2004
ISBN: 0-312-28193-5
Page Count: 272
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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