Next book

RHYTHMS

Heartfelt vividness breathes life into a soap-ish plot from Hill (Shipwreck Season, 1998, etc.).

A Mississippi preacher’s daughter heads north—and comes home humbled.

In 1927, Cora Harvey dreams of becoming a singer. The gospel hymns she belts out in her father’s congregation have given her voice a soul-stirring fervor—at a time when plenty of coloreds are making names for themselves away from Jim Crow laws. But Cora’s sweetheart, David Mackey, a handsome doctor, wants her to marry him and stay in Rudell. Meanwhile, there are signs of change: a NAACP representative is coming to town, and Cora’s parents are his official hosts. But when they die in a suspicious fire, Cora is devastated. Reluctantly, David lets her go to Chicago to fulfill the dream she set aside when he began to court her. Cora’s overwhelmed by the big city, but she’s soon befriended by good-time girl Margaret, who gets her work bussing tables and, later, cleaning houses. Then, raped by a white employer, William Rutherford, Cora heads home to David’s welcoming arms, never telling him what happened. When her child is born—a girl—it’s only too clear that the father is white. David hightails it two days later. Emma grows up ashamed of her mother for being nothing but cleaning woman, and eventually learns about her real father and goes north to find him. Her pale complexion and brilliant green eyes allow her to pass for white—and she soon has a handsome admirer, Michael Travanti, an Italian-American soldier. They marry shortly after she confronts Rutherford and Michael heads off to war. Not telling him, she gives birth to a daughter, then gives the infant to her mother to raise because the baby’s skin is so dark. Named Parris, the girl grows up knowing none of this, though she’s the one who at long last will reunite and heal the family.

Heartfelt vividness breathes life into a soap-ish plot from Hill (Shipwreck Season, 1998, etc.).

Pub Date: Aug. 1, 2001

ISBN: 0-312-27299-5

Page Count: 352

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2001

Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Close Quickview