Series fans will be thrilled by this screamingly funny return to Hell.
The Devil’s Intern series continues, narrated this time by Alfarin the Viking prince.
This hugely imaginative and entertaining series follows the adventures of four young devils trapped in Hell despite the fact that they are really very decent people. Team DEVIL consists of Mitchell and Medusa, both recently deceased teenagers, plus Elinor, who died in the Great Fire of London in 1666, and Alfarin, dead for 1,000 years and the leader of this book’s adventures. The Devil’s wife (and the titular Banshee), Beatrice Morrigan, has escaped into one of the Nine Circles of Hell, leaving Elinor, and perhaps Mitchell’s little brother, to become his Dreamcatcher, the soul required to filter the Devil’s awful dreams while he sleeps. Alfarin, who loves Elinor with all of his dead heart, knows he must save her by finding Beatrice, so he leads the team into the Nine Circles. Guided by Virgil himself, the team retraces the Divine Comedy by going through the circles in reverse order. Plenty of action and suspense ensue, but Hosie keeps the focus on the wry comedy generated by Alfarin’s unique outlook on life and on his own magnificent manliness. Alfarin has no doubt about his superior masculinity and constantly remarks on the Viking way of doing things in a consistently and amusingly formal voice, and all of this will keep readers chuckling.
Series fans will be thrilled by this screamingly funny return to Hell. (Paranormal suspense. 15 & up)Pub Date: Oct. 1, 2016
ISBN: 978-0-8234-3650-7
Page Count: 336
Publisher: Holiday House
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Readable but not remarkable, yet another grimdark political fantasy.
Prison life gets even more punishing in this fantasy series opener.
Seventeen-year-old Kiva Meridan is 10 years into a life sentence at “death prison” Zalindov. She’s succeeded her late father as the titular prison healer, dosing patients with herbs and possessing extensive, modern medical knowledge of bacteria, viruses, and immune systems. Aside from cheerful innocent/MacGuffin Tipp, Kiva befriends few fellow prisoners and even fewer guards, most of whom are harshly abusive. While Naari, a new female guard, and Jaren, a handsome new prisoner, chip away at her frozen facade, Kiva volunteers to undertake an epic Trial by Ordeal on behalf of the Rebel Queen, the newest political prisoner. Under pressure to save her friends, the Rebel Queen, and herself—and losing hope of rescue or release—Kiva faces four elemental magic Trials sans innate talent. In between grueling, gruesome spectacles, Kiva also acts as an epidemiologist, tracking down an illness plaguing the prisoners. The claustrophobic setting—evoking the horrors of a Siberian gulag or Nazi concentration camp—exudes dread and brutality; levity and lightness are minimal. A predictable romance ensues, and generic fantasy clichés abound—royals and rebels, lost heirs, vague magic—hastily concluded with a trite plot twist and setup for a sequel. Most main characters read as White; there is a diversity of skin tones in this fantasy world.
Readable but not remarkable, yet another grimdark political fantasy. (map) (Fantasy. 15-adult)Pub Date: April 13, 2021
ISBN: 978-0-358-43455-9
Page Count: 416
Publisher: HMH Books
Review Posted Online: Jan. 25, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
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