A well-meaning tale is overwhelmed by an over-the-top attempt at inspiration.
A potentially charming tale about a perfect pearl that takes form from a simple grain of sand is laden with heavy-handed life lessons.
The grain becomes embedded in an oyster and is slowly coated with protective layers until a diver brings it up, discovers the beautiful pearl it has become and sets it on a journey that carries it home to a lovely young princess. The tale might have succeeded as a story of how the pearl became the imperial jewel of Persia, the nominal plot, but Napoli missteps by endowing the grain of sand with deep emotions of hopelessness and helplessness and, eventually, love and joy. The message that each person has the ability to change and grow is clearly intended to be uplifting and encouraging. However, all the changes to the grain of sand come about naturally: It does not make itself into a pearl; that outcome is accomplished by the oyster and time. Moreover, a pearl has no value beyond what humans place upon it. The princess loves the pearl, certainly with no thought to the grain of sand at its center. LaMarche’s lovely illustrations, rendered in acrylic paint and colored pencil in a palette of pink, purple and turquoise, with appropriately luminescent pearls, transcend the weaknesses of the text.
A well-meaning tale is overwhelmed by an over-the-top attempt at inspiration. (Picture book. 4-7)Pub Date: June 18, 2013
ISBN: 978-1-4231-4557-8
Page Count: 32
Publisher: Disney-Hyperion
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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