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GHETTO CELEBRITY

SEARCHING FOR THE DELBERT IN ME

Some will appreciate Alexander’s recollection of rap’s bling-bling ’90s, while others will be haunted by the portrait of his...

A mix of young-black-journalist memoir and rural family history, told with plenty of analytical flossing.

Alexander introduces himself by noting of his Sandusky, Ohio, upbringing, “Niggas always accusing Buckeye niggas of acting white, but that’s a small-town thing.” His debut’s most charming moments depict the conflicting influences on his childhood of his strict mother and his mostly absent father, locally notorious for gangster glamour and an abbreviated singing career. Delbert appears only sporadically in his son’s life, but provides this memoir’s strongest element: Alexander adeptly dramatizes the hard equations that befell generations of African-American men, ranging in Delbert’s instance from youthful addiction, violence, and imprisonment to humiliating stints at factory work and selling Confederate flags. Far less powerful is Alexander’s exhaustive evocation of his own post-adolescence, a druggy idyll of underground radio, school-newspaper controversies, interracial sex, and slacker angst—hardly novel memoir material, notwithstanding numerous references to and encounters with West Coast rappers. His rapid success as a California-based freelance journalist is recalled in aggressive prose that combines hip-hop freestyling with Mailer-esque affect. Yet this personal narrative devolves into a dreary final third, as Alexander’s relationship with his long-suffering wife deteriorates and he concentrates on racking up human-interest stories on “difficult” athletes like Alonso Spellman and Latrell Sprewell. The author seems incapable of writing about the cultural milieu he loves without projecting his own persona as its epochal center, and his striving to be “the only hip-hop journalist who mattered” becomes increasingly wearying. Despite various shrewd observations (e.g., terming sports journalists “the ultimate hangers on”), Alexander comes off by the end as yet another under-40 culture flack with mutational self-esteem.

Some will appreciate Alexander’s recollection of rap’s bling-bling ’90s, while others will be haunted by the portrait of his delinquent father.

Pub Date: June 1, 2003

ISBN: 1-4000-4602-5

Page Count: 288

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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