Passionate, important reportage on a tragic era in American history from an author who lived through it.
A definitive report on how crack cocaine decimated the Black community throughout the 1980s and ’90s.
Journalist Ramsey chronicles two devastating decades when crack use was rampant and many entities turned a blind eye to the nationwide catastrophe. The author vividly recalls his adolescence in Columbus, Ohio, with “kids who grew up like me—poor and Black in the midst of the crack epidemic.” When the epidemic finally subsided, Ramsey and many other survivors were left with “speculation and innuendo.” In 2015, he began deeply researching “the facts of crack—what it was, where it came from, and how it spread.” The author compassionately profiles four individuals whose lives were affected by crack: Elgin Swift, a White man who became an ambitious, self-made success story despite being raised by a neglectful addict father; Lennie Woodley, a former crack addict and Los Angeles sex worker who became a substance abuse counselor; Kurt Schmoke, the first Black mayor of Baltimore, who was both praised and criticized for his early plans to defuse the drug war with decriminalization; and Shawn McCray, a former Newark drug trafficker–turned–upstanding community leader. Interwoven with these intimately depicted, gritty stories is the history of Black America from the 1960s to the end of the 20th century. Ramsey shows how crack infiltrated and nearly snuffed out entire marginalized communities while an indifferent government stood by and legitimized its demonization. Though he acknowledges that survivors of the epidemic (particularly Black and brown people) rarely discuss it, the author dutifully shines much-needed light on this searingly traumatic ordeal. Each profile ends with the possibilities of hope and change, and Ramsey also dispenses provocative, convincing commentary on criminal legal system reform, social justice, the failures of drug policy, and the complicated relationship between disenfranchised communities and drug abuse in America.
Passionate, important reportage on a tragic era in American history from an author who lived through it.Pub Date: July 11, 2023
ISBN: 9780525511809
Page Count: 448
Publisher: One World/Random House
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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