by Doreen Rappaport & illustrated by Bryan Collier ‧ RELEASE DATE: Oct. 1, 2004
In their latest collaboration, Rappaport and Collier combine a spare, poetic text and watercolor-and-collage illustrations to introduce readers to John Lennon and as varied references as Lewis Carroll, Elvis Presley, Chuck Berry, Little Richard, the war in Vietnam, and the civil-rights movement. The bright art bursts forth as pages are turned, and the busyness of the illustrations matches the frenetic tours of the Beatles. However, the circle motif in the illustrations seems overdone, creating clutter and ambiguity, while the prose style seems wrong for conveying the weighty ideas of the text. It’s not clear, for example, what young readers will make of unexplained references to John’s taking drugs, staging a “bed-in” for peace, divorcing his wife to marry Yoko Ono, and studying meditation to find inner peace. A lively, if unusual, take on the pop-culture icon, whose music is as fresh today as it was then. (author’s note, illustrator’s note, important dates, discography, bibliography) (Picture book/biography. All ages)
Pub Date: Oct. 1, 2004
ISBN: 0-7868-0817-9
Page Count: 48
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2004
Share your opinion of this book
More In The Series
by Doreen Rappaport ; illustrated by Tonya Engel
by Doreen Rappaport ; illustrated by Oliver Dominguez
by Doreen Rappaport ; illustrated by Eric Velasquez
More by Doreen Rappaport
BOOK REVIEW
by Doreen Rappaport ; illustrated by Oliver Dominguez
BOOK REVIEW
by Doreen Rappaport ; illustrated by Eric Velasquez
BOOK REVIEW
by Doreen Rappaport ; illustrated by Linda Kukuk
by Alyssa Bermudez ; illustrated by Alyssa Bermudez ‧ RELEASE DATE: Aug. 17, 2021
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
Share your opinion of this book
More by Andrea Beatriz Arango
BOOK REVIEW
by Andrea Beatriz Arango ; illustrated by Alyssa Bermudez
BOOK REVIEW
by Carmen T. Bernier-Grand ; illustrated by Alyssa Bermudez
BOOK REVIEW
by Pat Mora ; illustrated by Alyssa Bermudez
by Barbara Cooney & illustrated by Barbara Cooney ‧ RELEASE DATE: Oct. 1, 1996
"From the beginning the baby was a disappointment to her mother," Cooney (The Story of Christmas, 1995, etc.) begins in this biography of Eleanor Roosevelt. She is a plain child, timid and serious; it is clear that only a few people loved her. After her parents die, she is cared for in the luxurious homes of wealthy relatives, but does not find acceptance until she arrives in a British boarding school, where she thrives on the attention of the headmistress, who guides, teaches, and inspires her. Cooney does not gloss over the girl's misery and disappointments; she also shows the rare happy times and sows the seeds of Eleanor's future work. The illustrations of house interiors often depict Eleanor as an isolated, lonely figure, her indistinct face and hollow eyes watching from a distance the human interactions she does not yet enjoy. Paintings reveal the action of a steamship collision; the hectic activity of a park full of children and their governesses; a night full of stars portending the girl's luminous future. The image of plain Eleanor being fitted with her first beautiful dress is an indelible one. Readers will be moved by the unfairness of her early life and rejoice when she finds her place in the world. An author's note supplies other relevant information. (Picture book/biography. 5-9)
Pub Date: Oct. 1, 1996
ISBN: 0-670-86159-6
Page Count: 40
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by Barbara Cooney
BOOK REVIEW
by Barbara Cooney & illustrated by Loretta Krupinski
BOOK REVIEW
adapted by Ruth Sawyer & illustrated by Barbara Cooney
BOOK REVIEW
by Opal Whiteley & edited by Jane Boulton & illustrated by Barbara Cooney
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.