“She will be massive but elegant, / as grand as any one of the / Seven Wonders of the Ancient World.” Tributes to the Statue of Liberty abound, but this one stands out for its unusual approach and powerful illustrations. Rappaport traces the statue’s history in a series of stately free-verse poems in the voices of those who became involved in its creation: from Edouard de Laboulaye, who first proposed it, and sculptor Auguste Bartholdi, his assistant, to young Florence De Foreest, who sent her two pet roosters to help pay for the base; and José Martí, Cuban exile and journalist. Generally viewed from low angles, all of the solid, serious human figures in Tavares’s three-quarter-spread paintings bulk larger than life—and lead up to a spectacular climactic foldout view of the monument towering into cloudy skies on the rainy day of her unveiling. Closing with heartfelt comments from several immigrants or their children, this adds up to a stirring reminder of what Lady Liberty stands for. (author’s and illustrator’s notes, statistics, timeline, sources) (Poetry. 9-11, adult)
Pub Date: May 13, 2008
ISBN: 978-0-7636-2530-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2008
Prose poems celebrate the feats of young heroines, some of them famous, and some not as well-known. Paul (Hello Toes! Hello Feet!, 1998, etc.) recounts moments in the lives of women such as Rachel Carson, Amelia Earhart, and Wilma Rudolph; these moments don’t necessarily reflect what made them famous as much as they are pivotal events in their youth that influenced the direction of their lives. For Earhart, it was sliding down the roof of the tool shed in a home-made roller coaster: “It’s like flying!” For Rudolph, it was the struggle to learn to walk without her foot brace. Other women, such as Violet Sheehy, who rescued her family from a fire in Hinckley, Minnesota, or Harriet Hanson, a union supporter in the fabric mills of Massachusetts, are celebrated for their brave decisions made under extreme duress. Steirnagle’s sweeping paintings powerfully exude the strength of character exhibited by these young women. A commemorative book, that honors both quiet and noisy acts of heroism. (Picture book/poetry. 6-9)
Pub Date: Nov. 1, 1999
ISBN: 0-15-201477-2
Page Count: 40
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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Ringgold’s biography of Rosa Parks packs substantial material into a few pages, but with a light touch, and with the ring of authenticity that gives her act of weary resistance all the respect it deserves. Narrating the book is the bus that Parks took that morning 45 years ago; it recounts the signal events in Parks’s life to a young girl who boarded it to go to school. A decent amount of the material will probably be new to children, for Parks is so intimately associated with the Montgomery Bus Boycott that her work with the NAACP before the bus incident is often overlooked, as is her later role as a community activist in Detroit with Congressman John Conyers. Ringgold, through the bus, also informs readers of Parks’s youth in rural Alabama, where Klansmen and nightriders struck fear into the lives of African-Americans. These experiences make her refusal to release her seat all the more courageous, for the consequences of resistance were not gentle. All the events are depicted in emotive naive artwork that underscores their truth; Ringgold delivers Parks’s story without hyperbole, but rather as a life lived with pride, conviction, and consequence. (Picture book/biography. 5-9)
Pub Date: Nov. 1, 1999
ISBN: 0-689-81892-0
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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