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THE FIRST LAST DAY

A light book that deftly plumbs some pretty dark depths.

This novel makes a convincing case that all time-travel stories are really stories about death and immortality.

The plot of this book is familiar: Haleigh lives the same day over and over again in an endless loop. It’s the premise of countless books and movies. Cirrone mentions several of them directly, including Richard A. Lupoff’s very morbid 1973 story “12:01 P.M.,” in which a man keeps dying in an endless cycle. Haleigh’s story is almost as dark: every night, in the middle of the night, her best friend’s grandmother has a stroke. For the first few days, Haleigh thinks she can prevent it from happening, but the novel gradually turns into a book about the acceptance of death. And yet, it’s hardly ever sad or philosophical. Most of the time, it’s a caper story involving some magic paints and a quest to restart time. Once in a while, it nearly turns into a sitcom, with terrible jokes about cows. (This may qualify as a mistake in tone, as they are very bad jokes.) The author rarely mentions the characters’ race, but the few people she describes seem to be white. The book is at its best when it acknowledges its real subject, as when the grandmother reflects on mortality or in a lovely scene near the end in which Haleigh, in tears, calmly waits “for the future to happen.”

A light book that deftly plumbs some pretty dark depths. (Fantasy. 8-12)

Pub Date: June 7, 2016

ISBN: 978-1-4814-5813-9

Page Count: 240

Publisher: Aladdin

Review Posted Online: March 29, 2016

Kirkus Reviews Issue: April 15, 2016

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THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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