None
One's sexual nature and expression, inextricably bound up with one's creative destiny, can, when denied, result in a death-in- life. This cautionary conviction is underscored by novelist and critic Grumbach (the memoir Fifty Days of Solitude, 1994, etc.) in a multi-edged tale about four withered young lives. In the summer of 1929, Caleb (12) and Kate (10) Flowers live with their widowed, deaf mother in a large veranda-ed house in seaside Far Rockaway, N.Y. Then visitors arrive—bossy, 13-year-old Roslyn Hellman and timid Lionel Schwartz, 19—and soon Roslyn is leading games, including one disastrous (and foreshadowing) attempt to test the Book of Knowledge account of the behavior of lemmings. It's also that summer when Caleb and Kate, intrigued by their mirror-image intimacy, experiment sexually. The narrative then turns to another summer when Roslyn, now a bristly young teenager hooked on movies and rebel politics, is at a Catskill all-girls' camp, sneering at her lumpen peers and collecting material for her writing career. (Grumbach's reading of some earnest team efforts to regiment recreation in the early days of summer camps is both funny and touching.) Roslyn has a first serious crush on a counselor (handily rejected); then a few years later Caleb is at college, determined to deny Kate any hint of their childhood sexual games, and theatrically alone—until he meets Lionel. Their love is devouring, absolute. But like Roslyn (whose dreams of accomplishment began to wane after a stint in the wartime WAVES and another dose of the double standard), and like rejected, sin-ridden Kate, Caleb will make a socially acceptable choice. Only Lionel, by his death in the army, escapes the others' long, dry shrivelling of the soul: ``It is true of all human beings that they are dualities...herein lies all the bloody warfare in the person, to be who we are and not what we have been made.'' Immaculate in prose and tone: one of Grumbach's best.
None NonePub Date: June 1, 1995
ISBN: 0-393-03770-3
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
IN THE NEWS
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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