A dark parable, powerful yet baffling.
One of postcolonial fiction’s brightest lights makes mythic the battle of the sexes.
It’s men vs. women. Or, less subtly, “Monsters” vs. “Clefts.” Lessing (The Story of General Dann and Mara’s Daughter, Griot and the Snow Dog, 2005, etc.), manufacturing a legend out of prose somewhere between grunting and incantation, imagines pre-history. As if commenting on ancient lore, a Roman senator tells of “the Cleft where the red flowers grow,” a Shangri-La soon to turn oppressive that’s peopled only by moon-worshipping women bearing the name of their land. One day, on this isle of Fish Skin Curers, Seaweed Collectors and Old Shes, a virgin birth produces a Monster, complete with a “tube” below his navel and nipples that “aren’t good for anything.” As in old Greece, unwanted babies are exposed to the elements on the Cleft, and even while the Clefts insist that “there is no record of any of us doing cruel things—not until the Monsters were born,” they leave most of the Monsters out to die or castrate them. Except Maire, who instinctively mates with one of the surviving Monsters grown to adulthood (they’re then dubbed “Squirts”). In time, more Cleft-Squirt copulation ensues (they do it fast, Lessing says, like birds). The Squirt offspring are pretty much dunderheads who “did not understand that if they did this, then that would follow,” but they’re resourceful, making fire and suckling female deer when their Cleft mothers abandon them. After a while, in this anti-Genesis, an alternative Adam and Eve rise up: Horsa and Maronna. Like all Clefts, who “always talked down to the men, chiding and scolding,” Maronna rules the roost; Horsa explores. But just as he seems about to venture toward some new wonderland and Clefts and Monsters achieve some kind of acceptance, the Cleft, like Vesuvius, explodes.
A dark parable, powerful yet baffling.Pub Date: Aug. 2, 2007
ISBN: 978-0-06-083486-9
Page Count: 272
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2007
BOOK REVIEW
BOOK REVIEW
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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