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I AM GOOSE!

Giggling readers won’t duck out from playing the game once they’ve savored this funny tale.

Duck, duck…who?

That’s what literal-minded Goose wants to know when, seated among various animal pals playing the familiar circle game, callers keep tagging the “goose”—but the other animals, not the actual goose in their midst. Continually bypassed, Goose becomes incensed and increasingly disruptive. Rabbit, irate after repeated attempts to calm Goose down with assurances that eventually everyone will have a turn, demands order. Goose presents a chart that lists physical characteristics of geese and nongeese! By now civility is in shambles, and furious Rabbit threatens to end the game. Chastened, players reconvene, the game resumes, and lo, Goose is finally tagged! But then…a new group of (hint) waddling players comes along—just when it’s Goose’s turn to be the caller—throwing an unexpected, hilarious wrench into the proceedings and bringing the story to a riotous conclusion. This honking good tale is told entirely through speech balloons, with dialogue that reveals much about characters’ distinctive personalities; additional comic relief is supplied by a trio of red squirrels, wryly commenting on the goings-on from their tree perch. Delicate cartoon illustrations add wit and humorous energy to the frenetic events, including expressive faces and the dapper attire in which the players are dressed: Goose sports a backward blue baseball cap, for instance.

Giggling readers won’t duck out from playing the game once they’ve savored this funny tale. (Picture book. 4-7)

Pub Date: Feb. 18, 2020

ISBN: 978-1-328-84159-9

Page Count: 32

Publisher: Clarion Books

Review Posted Online: Sept. 23, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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