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ANYTHING FOR A HIT

AN A&R WOMAN'S STORY OF SURVIVING THE MUSIC INDUSTRY

No matter how sleazy you might have heard the music industry is, this memoir suggests that it was worse.

The music industry is long overdue for its #MeToo explosion, and this memoir seems ready to light the fuse.

As the first female executive for Atlantic Records in A&R—artists and repertoire, the talent scouts who sign the recording acts—Carvello describes in dirty detail a “culture of toxic masculinity” that pervaded the company in particular and the industry as a whole. She was initiated into the industry as an assistant and secretary to the legendary Ahmet Ertegun, who hired her as something of a political favor, though she didn’t really know how to type or take dictation. Though the label’s founder enjoyed a reputation as something of a cosmopolitan sophisticate, she exposes him as “the guy who played with himself under his desk while dictating letters to his secretary” and “who verbally, physically, and sexually mistreated me.” Yet he was also her lifelong mentor, and she claims that she revered him even as he disgusted her—even after his violence toward her resulted in “a hairline fracture in my forearm.” By today’s standards, Ertegun would have been found guilty of sexual harassment and criminal assault, yet at the time, a lawyer told her “that if I sued for harassment, I’d lose my job. Worse than that, I knew I’d be blackballed from the entire business.” So Carvello went along to get along, swearing as much as the man-eating sharks that surrounded her, sleeping with some of them, and marrying one who physically abused her (and to whom she gave a black eye). She dishes unsavory details about industry giants such as Doug Morris, Irving Azoff, and Tommy Mottola (though not with the sexual accusations she levels at Ertegun), and she shows how she suffered from a reputation as “a troublemaker.” Yet her own attempts at revenge and her mixing of business with sexual pleasure suggest that she was willing to play the game by the same rules as the rest of them.

No matter how sleazy you might have heard the music industry is, this memoir suggests that it was worse.

Pub Date: Sept. 4, 2018

ISBN: 978-0-912777-91-7

Page Count: 240

Publisher: Chicago Review Press

Review Posted Online: June 26, 2018

Kirkus Reviews Issue: July 15, 2018

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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