Trite, unfunny rehash of contemporary fads already long out of date: an uninspired debut.
So you want to be filthy rich? Thirtyish orthodontist Neil Postit does.
That’s why he chose his girlfriend, personal life coach Marcy Mallowitz, to be his Lifeline for the Filthy Rich game show. Marcy is an avid TV watcher and a virtual encyclopedia of television trivia. The show’s contestants are allowed to call on a friend or loved one if they’re stumped—and when the stakes are as high as $1.75 million, minds have a way of going blank. But the final question is a real poser, and Neil is flummoxed. Which 1970s schlock TV variety show did actress Teri Garr regularly appear on? Was it Donny and Marie, or The Sonny and Cher Comedy Hour? Spotlights are circling, the clock is ticking down, Neil is sweating . . . and Marcy gives him the wrong answer. Nasty Neil throws a spectacular tantrum in front of the studio audience, verbally flagellating Marcy and her mother. In retaliation, Marcy takes off the cheap, sort-of-engagement ring he once gave her and flings it in his face. Lo and behold, next day’s papers christen her America’s latest instant celebrity. Barbara Walters and Diane Sawyer and Oprah and Geraldo and Montel are buttering her up right and left, hoping for an exclusive interview. Marcy can’t believe all the attention. Putting everyone on hold, she goes into a brown study, wondering why somebody with a degree in psychology from Barnard ever ended up with a creep like Neil. Is it that men are just mean, or did her mom’s relentless matchmaking cause her to settle for a loser? Now that she’s famous, will she able to find love at last? Predictably, Marcy meets a really nice man, then lands a deal cohosting a morning show, and even gets back at her obnoxious ex in prime time . . . live.
Trite, unfunny rehash of contemporary fads already long out of date: an uninspired debut.Pub Date: Sept. 1, 2001
ISBN: 0-06-621016-X
Page Count: 240
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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