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THE LETTERS OF DOROTHY L. SAYERS

VOL. II, 1937-1943, FROM NOVELIST TO PLAYWRIGHT

Lord Peter Wimsey’s creator turns her attention—and correspondence—to the Lord Himself. In this second volume of letters, Sayers switches roles from beloved detective novelist to an increasingly well-regarded if sometimes beleaguered Christian playwright. It’s a testament to her strength as a writer and thinker that Sayers confines her new role —not [to] prophet, but only sort of painstaking explainer of official dogma.— These letters include lively, substantive arguments with religious leaders, politicians, collaborators, and detractors. The war years were productive ones for Sayers, who wrote five plays for the stage and others for radio, lectured, wrote articles, and published two books, all concerning Christianity. Sayers commendably turns her pen’s power to the war itself, seizing the opportunity to connect religion with reality. On September 10, 1939, one week after Great Britain went to war with Germany, Sayers wrote to a Christian newsletter editor that the Church ought to “say something loud and definite” about what’s happening in the world. She’s at her finest when she corrects distortions of her work and responds to sincere inquiries, which in turn inspire thoughtful explication. With humility, intelligence, clarity, and an occasional barb, she eschews ignorance. Her task is to imaginatively explain Christian doctrine, which, she reminds her correspondents, isn’t her creation: “I didn’t think it was ‘my’ theology exactly; I thought it was the Church’s.” The price of this isn’t zealotry but monotony. With the exception of a scattered reference to her husband and some letters to her adolescent “unacknowledged” son, her letters focus almost exclusively on Christianity. Interestingly, the mystery surrounding her son gets solved, though not in her letters—Reynolds appends to this volume particulars about Sayers’s son, thus filling in a gap in his biography Dorothy L. Sayers: Her Life and Soul (1993). Followers of Wimsey’s sleuthing may not enjoy following Sayers’s prolix letters on Christianity.

Pub Date: April 17, 1998

ISBN: 0-312-18127-2

Page Count: 464

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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