An important story about how marginalized groups can work together for social justice, but some elements feel ill-conceived.
When a Black man is “hurt” by police and Black Lives Matter protests are staged in her community, 7-year-old Hmong protagonist Mai knows that “today is different.”
Then Mai’s Black best friend, Kiara, misses school; the two girls usually do everything together…“but not today.” Seeking to understand more about race, Mai questions her teenage brother, Tou, and learns that “in the Hmong culture, there are Black Hmong, White Hmong, Green Hmong, Striped Hmong, and many more.” Although their parents want to shield them from the unfolding events—“It doesn’t have anything to do with you”—the siblings make a protest sign, and Mai uses colored pencils as an object lesson to show her parents that “if we all stand together, we will be unbreakable.” She and Tou run away to a Black Lives Matter rally to march in solidarity with Kiara’s family and are pleasantly surprised when Mom and Dad join them. The book focuses on racism against Black Americans, but Dad and Tou board up their house’s windows, a potentially confusing detail that the story glosses over. Though risking oversimplifying how children process racial trauma, Moua positively portrays a cross-cultural friendship and explores how racial violence impacts children. The backmatter explains the historical discrimination against Hmong people in many countries and emphasizes the importance of African American and Hmong communities uniting to fight injustice. Colorful but mediocre digital paint illustrations add little to the telling but realistically portray urban diversity.
An important story about how marginalized groups can work together for social justice, but some elements feel ill-conceived. (author’s note, pronunciation guide, glossary) (Picture book. 4-7)Pub Date: April 5, 2022
ISBN: 978-1-72843-029-4
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
Handy advice for perpetually inquisitive children.
Interior decorator and TV personality Gaines invites readers to open their eyes and exercise their imaginations.
There’s a world to be explored out there—and only children can really take part. What does “looking for wonder” entail? Slowing down and looking up, around, and everywhere. At the outset, a group of eager, racially diverse young friends—including one who uses a wheelchair—are fully prepared for a grand adventure. They offer tips about how and where to look: Why, there’s a “grand parade” of marching ants! And, these kids add, perspective is key. A rainy day might signal gloom to some, but to those filled with wonder, showers bring “magic puddles for play”; a forest is “an enchanted world,” the ocean conceals “a spectacular city,” and the night sky boasts “extraordinary sights.” The takeaway: “Wonder is never in short supply.” It’s a robust, empowering message, as is the exhortation to “keep your mind open, and let curiosity guide the way.” Youngsters are also advised to share their discoveries. The upbeat narrative is delivered in clunky verse, but the colorful cartoonish illustrations brimming with activity and good cheer (including some adorable anthropomorphized animals in the backgrounds) make up for the textual lapses and should motivate readers to embark on their own “wonder explorations.”
Handy advice for perpetually inquisitive children. (Picture book. 4-7)Pub Date: Jan. 28, 2025
ISBN: 9781400247417
Page Count: 32
Publisher: Tommy Nelson
Review Posted Online: yesterday
Kirkus Reviews Issue: March 15, 2025
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