An important story about how marginalized groups can work together for social justice, but some elements feel ill-conceived.
When a Black man is “hurt” by police and Black Lives Matter protests are staged in her community, 7-year-old Hmong protagonist Mai knows that “today is different.”
Then Mai’s Black best friend, Kiara, misses school; the two girls usually do everything together…“but not today.” Seeking to understand more about race, Mai questions her teenage brother, Tou, and learns that “in the Hmong culture, there are Black Hmong, White Hmong, Green Hmong, Striped Hmong, and many more.” Although their parents want to shield them from the unfolding events—“It doesn’t have anything to do with you”—the siblings make a protest sign, and Mai uses colored pencils as an object lesson to show her parents that “if we all stand together, we will be unbreakable.” She and Tou run away to a Black Lives Matter rally to march in solidarity with Kiara’s family and are pleasantly surprised when Mom and Dad join them. The book focuses on racism against Black Americans, but Dad and Tou board up their house’s windows, a potentially confusing detail that the story glosses over. Though risking oversimplifying how children process racial trauma, Moua positively portrays a cross-cultural friendship and explores how racial violence impacts children. The backmatter explains the historical discrimination against Hmong people in many countries and emphasizes the importance of African American and Hmong communities uniting to fight injustice. Colorful but mediocre digital paint illustrations add little to the telling but realistically portray urban diversity.
An important story about how marginalized groups can work together for social justice, but some elements feel ill-conceived. (author’s note, pronunciation guide, glossary) (Picture book. 4-7)Pub Date: April 5, 2022
ISBN: 978-1-72843-029-4
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
Sky-based pyrotechnics make for a fun if somewhat confusing telling.
In this collaboration between sci-fi novelist Sanderson and Amulet creator Kibuishi, an unreliable narrator informs readers that here be no dragons.
“A boy sat in a chair.” The book opens on a bespectacled, light-skinned child in old-fashioned attire. The narration continues, “That’s it. He just sat in a chair,” while on the opposite page, the boy’s chair has unexpectedly whisked him heavenward. The narrator attempts to convince readers that just sitting in a chair is boring. As the story continues, however, the boy is attacked by an array of sky ruffians operating vessels; fight scenes and impressive explosions ensue. A dragon makes an appearance as the narrator drones on about how dull the story is. Kibuishi’s detailed cartoon images depict an enticing steampunk-esque world. Adults reading this book to kids might want to read the text first without the pictures; on a second run they can show off the images, neatly illustrating the important interplay of text and visuals in sequential art. Unfortunately, for all that the illustrations maintain the action at a fair clip, near the end the plot grows muddled as the boy gets out of his chair but then tumbles to the ground: Was he falling and then trying to stop himself? Some adult intervention may be required to clarify what precisely is happening on the page.
Sky-based pyrotechnics make for a fun if somewhat confusing telling. (Picture book. 4-7)Pub Date: Sept. 24, 2024
ISBN: 9781250843661
Page Count: 48
Publisher: Roaring Brook Press
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
A hilarious autumnal comedy of errors.
A confused squirrel overreacts to the falling autumn leaves.
Relaxing on a tree branch, Squirrel admires the red, gold, and orange leaves. Suddenly Squirrel screams, “One of my leaves is…MISSING!” Searching for the leaf, Squirrel tells Bird, “Someone stole my leaf!” Spying Mouse sailing in a leaf boat, Squirrel asks if Mouse stole the leaf. Mouse calmly replies in the negative. Bird reminds Squirrel it’s “perfectly normal to lose a leaf or two at this time of year.” Next morning Squirrel panics again, shrieking, “MORE LEAVES HAVE BEEN STOLEN!” Noticing Woodpecker arranging colorful leaves, Squirrel queries, “Are those my leaves?” Woodpecker tells Squirrel, “No.” Again, Bird assures Squirrel that no one’s taking the leaves and that the same thing happened last year, then encourages Squirrel to relax. Too wired to relax despite some yoga and a bath, the next day Squirrel cries “DISASTER” at the sight of bare branches. Frantic now, Squirrel becomes suspicious upon discovering Bird decorating with multicolored leaves. Is Bird the culprit? In response, Bird shows Squirrel the real Leaf Thief: the wind. Squirrel’s wildly dramatic, misguided, and hyperpossessive reaction to a routine seasonal event becomes a rib-tickling farce through clever use of varying type sizes and weights emphasizing his absurd verbal pronouncements as well as exaggerated, comic facial expressions and body language. Bold colors, arresting perspectives, and intense close-ups enhance Squirrel’s histrionics. Endnotes explain the science behind the phenomenon.
A hilarious autumnal comedy of errors. (Picture book. 4-7)Pub Date: Aug. 1, 2021
ISBN: 978-1-7282-3520-2
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
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