by Doug Saunders ‧ RELEASE DATE: Aug. 21, 2012
An invaluable contribution to the contemporary debate over Muslim immigration and integration into Western communities.
Globe and Mail European bureau chief Saunders (Arrival City: The Final Migration and Our Next World, 2011) examines the fearful reaction of today's native-born Western Europeans and North Americans to Muslim immigration.
The author takes a nuanced, informative look at the alarm that has greeted the latest wave of Muslim immigrants to Western countries and explains, with admirable precision, why this response is unjustified. In a methodical, point-by-point approach, Saunders analyzes the myths from which Western fears of a “Muslim takeover” have sprung, as well as the actual facts surrounding Muslim immigration patterns and population trends—e.g., birth rates are actually falling in many Muslim immigrant communities. The author argues that early-21st-century Muslim sentiment in the West is nearly identical in origin to the anti-Catholic and anti-Jewish fervor that swept the same region when immigration from those communities increased in the early-20th century. Few Americans today recall Paul Blanshard's 1949 book American Freedom and Catholic Power, but it was a massively popular bestseller in which the author warned—in terms strikingly similar to those employed by the authors of contemporary books about the threat of Muslim immigration—that fast-breeding Catholics, left unchecked, would eventually seek to gain control of the American presidency and implement a “Catholic plan for America.” In the last section, Saunders provides a sober reflection on “the genuine problems and challenges of immigration” (as opposed to the trumped-up, hysterical anti-Muslim myths the author so effectively eviscerates in earlier sections). Saunders' approach is refreshingly levelheaded and fact-based; he reproaches those who have allowed fear and anger to overwhelm reason, while acknowledging that terrorism and religious extremism pose real dangers to Muslims and non-Muslims alike.
An invaluable contribution to the contemporary debate over Muslim immigration and integration into Western communities.Pub Date: Aug. 21, 2012
ISBN: 978-0-307-95117-5
Page Count: 224
Publisher: Vintage
Review Posted Online: June 30, 2012
Kirkus Reviews Issue: July 15, 2012
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou
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by Maya Angelou
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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