Strong writing chops sculpt an odyssey from an addict’s raw life.
This debut novel follows a group of HIV-positive gay men in the Los Angeles area.
Middle-aged Bert Sykes has HIV. He’s also a dealer and user of methamphetamine, which makes him hellbent on having sex and cleaning house. His friend Korn (also gay and an addict) owns a house in a Jewish neighborhood, where he is entirely unwelcome. Meanwhile, in North Hollywood, Mike Gallagher has graduated from the Cri-Life Recovery House (a place that’s “not just gay friendly, but gay sensitive”). His friend Rogarth was kicked out of Cri-Life by the sanctimonious Rick, a “fag with AIDS who quotes Ayn Rand.” The men’s travels and travails unfold through philosophical rants—like the similarity between ordering a burrito and being at the doctor—and flashbacks involving people like Becky Stein, an infamous “Kaiser Soze” among gay drug dealers. Further details about Cri-Life emerge as well, including the resident hoods, whose hard exteriors crack when they dance the Hokey-Pokey, and the meal called Spread, made with ramen noodles, Tabasco sauce, and mayonnaise that’s mixed in a giant trash bag. Thanks to the prevalence of HIV medications, those afflicted now have better prognoses, though whether salvation or damnation lies ahead for Bert and the others must still be decided. In this hilarious, if dark, debut, author Weaver places readers directly into the minds of meth-heads who are “constructing their own constantly changing contexts” to “fit new and different versions of themselves.” Skirting a traditional plot, Weaver’s adventures flow and burble like liquor taps, and ideas spill every which way, similar to the work of William Burroughs. His portraits continually entertain, like when he tells us that a bear (a burly, hairy gay man) is “the kind of guy who’s found a way to capitalize on his aversion to exercise along with his considerable appetite for pasta, cheese and peach cobbler.” Weaver’s marriage of the high and the low—the classical music digressions and the dirty sex fantasies—will broaden most readers’ horizons.
Strong writing chops sculpt an odyssey from an addict’s raw life.Pub Date: Feb. 2, 2017
ISBN: 978-1-61296-808-7
Page Count: 176
Publisher: Black Rose Writing
Review Posted Online: June 14, 2017
Kirkus Reviews Issue: July 15, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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