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BE SAFE

Strong writing chops sculpt an odyssey from an addict’s raw life.

Awards & Accolades

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This debut novel follows a group of HIV-positive gay men in the Los Angeles area.

Middle-aged Bert Sykes has HIV. He’s also a dealer and user of methamphetamine, which makes him hellbent on having sex and cleaning house. His friend Korn (also gay and an addict) owns a house in a Jewish neighborhood, where he is entirely unwelcome. Meanwhile, in North Hollywood, Mike Gallagher has graduated from the Cri-Life Recovery House (a place that’s “not just gay friendly, but gay sensitive”). His friend Rogarth was kicked out of Cri-Life by the sanctimonious Rick, a “fag with AIDS who quotes Ayn Rand.” The men’s travels and travails unfold through philosophical rants—like the similarity between ordering a burrito and being at the doctor—and flashbacks involving people like Becky Stein, an infamous “Kaiser Soze” among gay drug dealers. Further details about Cri-Life emerge as well, including the resident hoods, whose hard exteriors crack when they dance the Hokey-Pokey, and the meal called Spread, made with ramen noodles, Tabasco sauce, and mayonnaise that’s mixed in a giant trash bag. Thanks to the prevalence of HIV medications, those afflicted now have better prognoses, though whether salvation or damnation lies ahead for Bert and the others must still be decided. In this hilarious, if dark, debut, author Weaver places readers directly into the minds of meth-heads who are “constructing their own constantly changing contexts” to “fit new and different versions of themselves.” Skirting a traditional plot, Weaver’s adventures flow and burble like liquor taps, and ideas spill every which way, similar to the work of William Burroughs. His portraits continually entertain, like when he tells us that a bear (a burly, hairy gay man) is “the kind of guy who’s found a way to capitalize on his aversion to exercise along with his considerable appetite for pasta, cheese and peach cobbler.” Weaver’s marriage of the high and the low—the classical music digressions and the dirty sex fantasies—will broaden most readers’ horizons.

Strong writing chops sculpt an odyssey from an addict’s raw life.

Pub Date: Feb. 2, 2017

ISBN: 978-1-61296-808-7

Page Count: 176

Publisher: Black Rose Writing

Review Posted Online: June 14, 2017

Kirkus Reviews Issue: July 15, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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