by Douglas Abrams ‧ RELEASE DATE: May 1, 2007
Perhaps not a novel to be loved, but a dependably entertaining one.
The life and times of the legendary seducer, here imagined as a historical character whose diary has come into the possession of “editor” Abrams.
It’s not entirely a departure from the New Age–inflected nonfiction considerations of “love, sexuality, and spirituality” co-authored by Abrams (The Multi-Orgasmic Couple, 2002, etc.). For this Don Juan is an intellectual libertine given to debating the legitimacy of sexual experience with the women who enchant and gratify him, and with agents of the Spanish Inquisition. Juan grows to manhood in the latter years of the 16th century, during Spain’s Golden Age. In his own suave, measured voice, we learn of his upbringing in a convent (after his unmarried mother had abandoned her infant), brief tenure in a monastery and commitment to a life of sensual pleasure and robust adventure—as a member of a jovial gang of robbers, and the tool of Machiavellian Marquis de la Mota (who employs Juan’s bedroom expertise to cuckold and embarrass his political enemies). In a brisk narrative that nevertheless consists less of developing action than of multiple repetitions of essentially similar episodes, two themes are emphasized: Juan’s heartfelt opposition to the Inquisition’s punitive malevolence, and his genuine love for Doña Ana, the beautiful noblewoman threatened with an unwanted marriage (to the aforementioned Marquis). Period detail is deftly handled, and the story is nicely fleshed out with vivid supporting characters (e.g., a randy Duchess who justifies her dalliance with Juan by pretending he is her absent husband; a legendary courtesan who equals him in skill and appetite; and Juan’s ingenuous coachman Cristobal, who utters the novel’s plaintive final words). And the sex scenes are juicy, if occasionally risibly florid.
Perhaps not a novel to be loved, but a dependably entertaining one.Pub Date: May 1, 2007
ISBN: 978-1-4165-3250-7
Page Count: 320
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2007
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More by Jane Goodall
BOOK REVIEW
by Jane Goodall & Douglas Abrams with Gail Hudson
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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More About This Book
BOOK TO SCREEN
SEEN & HEARD
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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