Perhaps not a novel to be loved, but a dependably entertaining one.
The life and times of the legendary seducer, here imagined as a historical character whose diary has come into the possession of “editor” Abrams.
It’s not entirely a departure from the New Age–inflected nonfiction considerations of “love, sexuality, and spirituality” co-authored by Abrams (The Multi-Orgasmic Couple, 2002, etc.). For this Don Juan is an intellectual libertine given to debating the legitimacy of sexual experience with the women who enchant and gratify him, and with agents of the Spanish Inquisition. Juan grows to manhood in the latter years of the 16th century, during Spain’s Golden Age. In his own suave, measured voice, we learn of his upbringing in a convent (after his unmarried mother had abandoned her infant), brief tenure in a monastery and commitment to a life of sensual pleasure and robust adventure—as a member of a jovial gang of robbers, and the tool of Machiavellian Marquis de la Mota (who employs Juan’s bedroom expertise to cuckold and embarrass his political enemies). In a brisk narrative that nevertheless consists less of developing action than of multiple repetitions of essentially similar episodes, two themes are emphasized: Juan’s heartfelt opposition to the Inquisition’s punitive malevolence, and his genuine love for Doña Ana, the beautiful noblewoman threatened with an unwanted marriage (to the aforementioned Marquis). Period detail is deftly handled, and the story is nicely fleshed out with vivid supporting characters (e.g., a randy Duchess who justifies her dalliance with Juan by pretending he is her absent husband; a legendary courtesan who equals him in skill and appetite; and Juan’s ingenuous coachman Cristobal, who utters the novel’s plaintive final words). And the sex scenes are juicy, if occasionally risibly florid.
Perhaps not a novel to be loved, but a dependably entertaining one.Pub Date: May 1, 2007
ISBN: 978-1-4165-3250-7
Page Count: 320
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2007
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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