An engaging account of the friendship between a young journalist and a reformed gangster who is trying to make it in the music world. In 1992, the author met Big K at the famous Newyorican CafÇ on Manhattan’s Lower East Side and was immediately taken by the charismatic man’s powerful rhymes, which mixed Brooklyn and Jamaican slang with smatterings of Spanish. Though early on Century is put off by K’s violent temper, he pursues the friendship. As the two grow close, K tells Century about his past: an abusive stepmother, a father away on business most of the time. As a little boy in the Crown Heights section of Brooklyn, K dreamed of becoming an airline pilot until he was seduced by the respect others gave to his brutal older brother, a gangster who once threw a friend down an elevator shaft for accidentally killing a pet canary. After a long spell in jail that began when he is 11, K joined the dangerous Franklin Avenue Posse, which ran most of the drug deals in Crown Heights. However, when Century meets them, K and most of his friends are trying to go straight, holding down double shifts as security guards, trying to become the next Tupac or Snoop Doggy or to just find a better place to raise their children than the crack-filled projects. For K, at least, the transition is not an easy one, and the years of well-honed street instincts keep threatening to drag him down. Century does an admirable job of capturing the rhythms and vibrancy of K’s speech, and his descriptions of K’s experiences in jail bring home with force a culture where going to a high-security prison has the prestige that in another context woudl accrue from attending an Ivy League college.
Pub Date: Feb. 12, 1999
ISBN: 0-446-52266-X
Page Count: 432
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1998
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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