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101 Things I Want to Say to My Daughter, Andrea, on Beginning Her Career

A welcome adjunct to the wealth of how-to parenting literature.

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An affectionate advice and how-to manual for an adult child.

Wood (101 Things I Want to Say to My Daughter, Meghan, on Beginning College, 2013, etc.) presents “words of wisdom” to his daughter as she embarks on her post-college career, compiling 101 lessons for parents to impart to their children. Each page focuses on one piece of advice, and the book’s simple design is easy on the eye, ideal for either a quick read or a casual but meaningful perusal. The lessons certainly apply to the working world, but many draw on experiences throughout childhood, such as “We learn from our mistakes more than we do from our successes,” “Stay on the good road and never be hurtful” and “The bad things will pass with time.” Wood balances useful career advice with personal insights on how to live a good life: “[W]hen you're an employee: Let it go or be let go” and that oft-quoted key to business success, “First In, Last Out (FILO).” These ideas are countered with such aphorisms as “[B]e more cautious beyond your job….Be sensible” and “You’re human. You'll make mistakes.…Just say you’re sorry.” The author skillfully divides the book into two sections: The first contains “pithy advice,” while the second offers a dictionary of “powerful words” emphasizing the importance of family and the joys of parenting, love and marriage. Wood also succinctly and tactfully addresses such knotty issues as divorce, abortion and religion, as well as death and grief. Wisely and appropriately, the “powerful words” section opens with “Moms” and concludes with “Love”—a simple proclamation of his eternal love for his daughter. Parents will likely benefit from reading this book and sharing it with their older children.

A welcome adjunct to the wealth of how-to parenting literature.

Pub Date: Sept. 9, 2013

ISBN: 978-1484075463

Page Count: 116

Publisher: CreateSpace

Review Posted Online: Oct. 15, 2013

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PERMISSION TO FEEL

UNLOCKING THE POWER OF EMOTIONS TO HELP OUR KIDS, OURSELVES, AND OUR SOCIETY THRIVE

An intriguing approach to identifying and relating to one’s emotions.

An analysis of our emotions and the skills required to understand them.

We all have emotions, but how many of us have the vocabulary to accurately describe our experiences or to understand how our emotions affect the way we act? In this guide to help readers with their emotions, Brackett, the founding director of Yale University’s Center for Emotional Intelligence, presents a five-step method he calls R.U.L.E.R.: We need to recognize our emotions, understand what has caused them, be able to label them with precise terms and descriptions, know how to safely and effectively express them, and be able to regulate them in productive ways. The author walks readers through each step and provides an intriguing tool to use to help identify a specific emotion. Brackett introduces a four-square grid called a Mood Meter, which allows one to define where an emotion falls based on pleasantness and energy. He also uses four colors for each quadrant: yellow for high pleasantness and high energy, red for low pleasantness and high energy, green for high pleasantness and low energy, and blue for low pleasantness and low energy. The idea is to identify where an emotion lies in this grid in order to put the R.U.L.E.R. method to good use. The author’s research is wide-ranging, and his interweaving of his personal story with the data helps make the book less academic and more accessible to general readers. It’s particularly useful for parents and teachers who want to help children learn to handle difficult emotions so that they can thrive rather than be overwhelmed by them. The author’s system will also find use in the workplace. “Emotions are the most powerful force inside the workplace—as they are in every human endeavor,” writes Brackett. “They influence everything from leadership effectiveness to building and maintaining complex relationships, from innovation to customer relations.”

An intriguing approach to identifying and relating to one’s emotions.

Pub Date: Sept. 3, 2019

ISBN: 978-1-250-21284-9

Page Count: 320

Publisher: Celadon Books

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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