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101 Things I Want to Say to My Daughter, Meghan, on Beginning College

Endearingly written and easy to read, parents unsure about how to talk to their college-bound kids may find this slim,...

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Wood’s (101 Things I Want to Say to My Son, Joshua, on Graduating College, 2013) latest is a collection of wisdom, warnings and reminders for young adults and their parents.

The author’s most emphatic piece of advice to his daughter, repeated in at least 13 of the titular 101 points, is: “Boys are pigs.” That it’s written in simple declarative or imperative statements is a tactical choice by the author. The book is, in reality, a look backward. From the back cover, readers glean that the author’s daughter, Meghan, has grown up to be a lawyer and that Wood himself practices law in New York City. Wood could’ve written in pretentious language, but instead, his tone is conversational. He reminds readers that the going-off-to-college period is an important juncture in the parent-child relationship, and it merits consideration. The author often waxes nostalgic, and his counsel sometimes wavers between overly personal and platitudinous. Still, his list should serve as a working, if roundabout, road map for meaningful discussion. Most of the advice falls into a handful of categories: warnings about boys (they’re pigs) and partying, reminders to keep family close and study hard, and pointers on becoming an adult. The beware-of-boys refrain probably comes a little late for an 18-year-old American girl and grows tiresome. There’s also a streak of earnest, somewhat clichéd aphorisms: “Never be satisfied,” but “don’t be greedy”; “Count your blessings,” and “Make excellence your goal.” Moments of unexpected levity brighten the collection; standouts are Wood’s urging his daughter to dance, enjoy music and drink coffee—points 51, 61 and 77, respectively.

Endearingly written and easy to read, parents unsure about how to talk to their college-bound kids may find this slim, conventional book helpful.  

Pub Date: June 24, 2013

ISBN: 978-1484075449

Page Count: 108

Publisher: CreateSpace

Review Posted Online: Sept. 26, 2013

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PERMISSION TO FEEL

UNLOCKING THE POWER OF EMOTIONS TO HELP OUR KIDS, OURSELVES, AND OUR SOCIETY THRIVE

An intriguing approach to identifying and relating to one’s emotions.

An analysis of our emotions and the skills required to understand them.

We all have emotions, but how many of us have the vocabulary to accurately describe our experiences or to understand how our emotions affect the way we act? In this guide to help readers with their emotions, Brackett, the founding director of Yale University’s Center for Emotional Intelligence, presents a five-step method he calls R.U.L.E.R.: We need to recognize our emotions, understand what has caused them, be able to label them with precise terms and descriptions, know how to safely and effectively express them, and be able to regulate them in productive ways. The author walks readers through each step and provides an intriguing tool to use to help identify a specific emotion. Brackett introduces a four-square grid called a Mood Meter, which allows one to define where an emotion falls based on pleasantness and energy. He also uses four colors for each quadrant: yellow for high pleasantness and high energy, red for low pleasantness and high energy, green for high pleasantness and low energy, and blue for low pleasantness and low energy. The idea is to identify where an emotion lies in this grid in order to put the R.U.L.E.R. method to good use. The author’s research is wide-ranging, and his interweaving of his personal story with the data helps make the book less academic and more accessible to general readers. It’s particularly useful for parents and teachers who want to help children learn to handle difficult emotions so that they can thrive rather than be overwhelmed by them. The author’s system will also find use in the workplace. “Emotions are the most powerful force inside the workplace—as they are in every human endeavor,” writes Brackett. “They influence everything from leadership effectiveness to building and maintaining complex relationships, from innovation to customer relations.”

An intriguing approach to identifying and relating to one’s emotions.

Pub Date: Sept. 3, 2019

ISBN: 978-1-250-21284-9

Page Count: 320

Publisher: Celadon Books

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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