A vivid, well-rounded portrait of an overlooked major talent.
A definitive biography of one of the great unsung rock heroes of the 1970s.
Oklahoma-born Jesse Ed Davis was a guitarist’s guitarist, cherished by elite and aspiring musicians for the sensitive musicality of his work for Taj Mahal and as a studio musician in Los Angeles. No less than Duane Allman, perhaps the greatest bottleneck slide guitarist of his generation, credited Davis’ slide work on Mahal’s “Statesboro Blues” as the main inspiration for his own artistry. In short order, Davis’ guitar was in demand by artists of the highest stature in rock and roll. George Harrison called on him to play the Concert for Bangladesh in 1971. The Rolling Stones put him at the top of the list, next to the Faces’ Ronnie Wood, to replace Mick Taylor in 1975. Davis also worked—and partied—with John Lennon, Bob Dylan, Levon Helm, Leon Russell, and scores of other big names at the apex of classic rock. Why is he not better known? The answer, like Davis himself, is complicated. The only child of parents from distinguished Native American families—Seminole and Mvskoke on his father’s side and Kiowa on his mother’s—Davis grew up a typical middle-class baby boomer in Oklahoma City in the 1950s, but with the weight of Indigenous history deep in his bones. “Being Native was painful for Jesse,” one friend said. “Part of him wanted to get away from it by becoming a rock star.” By the end of the 1970s, he had sunk into a heroin habit that derailed his career, ruined relationships, and ultimately killed him. Miller, an Oklahoma State University history professor and a former musician, is well suited to the subject; the research, he makes clear, was a labor of love.
A vivid, well-rounded portrait of an overlooked major talent.Pub Date: Nov. 12, 2024
ISBN: 9781324092094
Page Count: 464
Publisher: Liveright/Norton
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: yesterday
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
IN THE NEWS
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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